recent RED One projects

[Michael Morlan]

A few projects since November '08. More stills and some clips at the links:

Culebra Story - feature
http://michael-morlan.net/pages/production/prod_culebra.htm

Rich O'Toole Band - "In a Minute or 2" MV
http://michael-morlan.net/pages/production/prod_richotoole.htm

MoJoe - "Favorite Cut" - MV
http://michael-morlan.net/pages/production/prod_mojoe.htm

Mini Stylz - "Why You Think I'm Trippin'" MV
http://michael-morlan.net/pages/production/prod_yutt.htm

 

[Spike Baumann]

Who did the color grading on these? The blacks are so rich, could you post a work flow and original screenshot of the raw file if you did the post?

 

[Simon Valderrama]

beautiful stills!
would like to see some footage though ...

 

[Rudi Herbert]

Veeeeeeeeeeeery Nice!

Excellent grading and shadows/black/noise management.

 

[Thomas Dobbie]

Grading is superb,would love to see some footage.
Tom.

 

[Nicholas Kandie]

REDCAM vs The other Mediums on lightingarts

REDCAM vs The other Mediums on lightingarts

http://ca.youtube.com/LightingArts

[/IMG]
RedCam vs DV vs s16mm vs 35mm.
As a GAFFER/ lighting & electrics technician in Vancouver B.C. CANADA (1999 till present)
I have worked in every medium available over the last decade and on All levels & size of Film of productions...

The REDCAM System is ingenius .
its Modular component design adaptability & upgrade potential is going to keep it from becoming obsolete ! like every other camera over the last 10 years!
:construction: simply update your brain ,etc... & stay on the cutting edge.

Its the NEXT WAVE in CAMERA Designs & Systems
& Right across the board for every budget there is a fit ...

Im excited!
http://ca.youtube.com/LightingArts

 

[Michael Morlan]

Nice moving footage is hard to come by: O'Toole MV is out there munged up by YouTube. Everything else is still in post.

Stills graded by me in Photoshop and/or Magic Bullet Looks.

As D.P., I grade stills to give the colorist (should there be one) reference info. For features, the DMT sends me representative stills of key shots so I can grade during the shoot and, as a result, build a storyboard of the production as we go. I'll keep these stills at-hand for reference.

While my contracts generally guarantee my participation in grading of the final work, I rarely get to see a project all the way through.

I'll add some higher-rez images to my site in a couple days. Clicking on the web-sized frames will open the larger image.

BTW, everything was shot with my Nikon still lenses.

Nicholas, it's bad form to hijack another artist's thread with your own advertisement. If you want to show something off, start your own thread. Please delete your post. Thanks.

 

[David Draddy]

it does look fantastic.

which nikon lens were you using?

 

[Michael Morlan]

Can't remember, specifically, which lens for each shot. I have a set of Nikon AI-s primes - 24/35/50/85/105 plus a 17-35mm f2.8 AF ED-IF and 80-200mm f2.8 AF D

M