Can anyone help me on this.
I have a full music video shot all of it shot on green screen. I am in the process of solving my workflow and I ran into a little problem.
When I output the 2K quicktime proxy in REC 709 color space, the proxy is defaulting to what appears to be RGB default space.
This simple step is going to save me time if I can keep this color info in the quicktime proxy for batch export in FCP for my masters. Someone else told me they have no problem when they output in 709 color space settings from RED Alert, but wouldn't give up the caramel secret.
So I am hoping someone could tell me what step I am missing.
Any help on this would be much appreciated.
I have a full music video shot all of it shot on green screen. I am in the process of solving my workflow and I ran into a little problem.
When I output the 2K quicktime proxy in REC 709 color space, the proxy is defaulting to what appears to be RGB default space.
This simple step is going to save me time if I can keep this color info in the quicktime proxy for batch export in FCP for my masters. Someone else told me they have no problem when they output in 709 color space settings from RED Alert, but wouldn't give up the caramel secret.
So I am hoping someone could tell me what step I am missing.
Any help on this would be much appreciated.
