AnthonyFaust
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- Joined
- Oct 3, 2010
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- 21
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- Location
- Washington, D.C.
- Website
- www.anthonyfaust.com
Hello everyone,
This is my first post so I'm very excited to be a part of the RED User team. Here's my situation. I have a brand new Mac Pro. Here are the specs.
- one quad-core 2.8 ghz
- 3 gigs of RAM
- FCP 6.0.6
- I downloaded the latest version of the RED Plugin from red.com.
I have some RED footage. I brought it into FCP using Log and Transfer. It cut down the 4K footage to 2K (which I knew would happen). I had it brought in as Apple ProRes 422 HQ. I edited the material.
Now, I want to export this sequence at the native 4K that it was shot in. How do I go back to 4K since the sequence I have now is in 2K using the Apple ProRes HQ codec.
In other words, I understand the part about transcoding it to Apple ProRes HQ and cutting it down to 2K for offline editing purposes. I'm just trying to figure out how you properly go back to the 4K native files for onlining purposes.
Thanks,
Anthony
This is my first post so I'm very excited to be a part of the RED User team. Here's my situation. I have a brand new Mac Pro. Here are the specs.
- one quad-core 2.8 ghz
- 3 gigs of RAM
- FCP 6.0.6
- I downloaded the latest version of the RED Plugin from red.com.
I have some RED footage. I brought it into FCP using Log and Transfer. It cut down the 4K footage to 2K (which I knew would happen). I had it brought in as Apple ProRes 422 HQ. I edited the material.
Now, I want to export this sequence at the native 4K that it was shot in. How do I go back to 4K since the sequence I have now is in 2K using the Apple ProRes HQ codec.
In other words, I understand the part about transcoding it to Apple ProRes HQ and cutting it down to 2K for offline editing purposes. I'm just trying to figure out how you properly go back to the 4K native files for onlining purposes.
Thanks,
Anthony