Matthew Braney
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I have been really impressed with the workflow of R3D files in Premiere Pro 5.5. Before I switched to FCP 7 and had to spend a day transcoding footage thru Redcine X to 1080 just so I can work on it in Final Cut. I have recently switched to PC and bought Production Premium CS 5.5 with a student discount. I do love the smooth workflow and how you can do non-destructive color correction by right clicking on each R3D file and hitting the "source settings" option. I prefer this method over Speedgrade CS6 which I tried the trial and didn't like using a separate color correcting program. Being able to adjust the playback and pause resolution helps too so I don't have to spend tons of money on a RED ROCKET card. Adobe has been really on top of their game, I didn't see any reason to upgrade to CS6. I also wasn't a fan of the simplified interface of Premiere CS6 either.
I have even downloaded the Red Epic/Scarlet update for a new short film that I'm working on with the Red Scarlett X.
Has anyone had any success stories with Red workflow on Premiere? I know lots of editors that are ditching their MACS and FCP for PCS and Premiere
I have even downloaded the Red Epic/Scarlet update for a new short film that I'm working on with the Red Scarlett X.
Has anyone had any success stories with Red workflow on Premiere? I know lots of editors that are ditching their MACS and FCP for PCS and Premiere