Premiere Pro CC workflow help needed - master clip setting

[Samir Patel]

Premiere Pro is killing me with this master clip effects control setting. I tend to shoot often with the Canon 24-70v2 in changing conditions and find that at full wide I am about a 1/3 to 1/2 stop brighter than at closeup. So on top of that when I move from daylight to under a tungsten light for a second it also screws me. Dealing with the 1 master clip setting on top of using IPP2 is a pain in the ass. Is there a way to set the master iso once when I originally import the clip. Then flip a switch somewhere in the menus to make every cut I make within a file retain specific raw iso adjustments to those specific cuts? (which I would alter as the second step) Or do I just need to abandon Premiere and go to Resolve or something else for this case?

 

[Marc Wielage]

I would only use Premiere for editing, worry about the timing and pace of every cut, and then finish the project in Resolve for color. To me, color only matters in context with a finished piece.