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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Pre-production EPIC-Ms...

One question I'm surprised hasn't been asked. For 3D stereoscopic work will the Epic M match a production Epic in every way that matters: Position of the sensor, electronic differences that might slightly affect color, gamma etc.

Phil

Phil,

I fil safe to say that they will be exactly the same camera in all aspect, but the fact that this are Machined Hand Built in very Low numbers.
 
Email sent. I hope I was first. At 8:29pm last night I emailed RED asking for the account number to wire the money for the machined EPIC. Received an out-of-office reply.

EPIC Rules!

-michael zaletel
 
Phil asks a very good question -with the exception of HDRx capability and increased Redcode and frame rates- could an MX work along side an EPIC M (or on top) in a 3D config?

Any chance with a SSD on the MX that we will see Redcode 55?
 
Just sent In my email now. I wonder when we will know.
 
Stage 2.5???

Stage 2.5???

A while back Jim, you mentioned that some kind of stage 2.5 option was "under consideration" (post #37 in Q & A thread) for those stage 3 people who purchased the MX recently so they could maybe keep their red one MX or at least recoup some of the MX upgrade cost. I know this will probably flare the stage 2 fire... but I'm going to ask...

Jim is this still being considered?

Feel free to move this if I've put it in the wrong thread.
 
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