Karim D. Ghantous
Well-known member
This is my first post. Hi, everybody! (Hi, Dr. Nick!).
I finally got around to seeing Indy 4 a few weeks ago (yes, I know, it's over 3 years old...). Sadly I was disappointed by it. However, I noticed a funny thing during one scene in South America. This was, IIRC, when Marion told Indy that Mutt was his son. They were in the back of a farm truck with a Russian guard. I noticed that the light coming through the gaps in the boards was foggy and looked like halation. Does anyone know what that could have been caused by?
I read the American Cinematographer piece on Catch Me if You Can (a much better film, one of Spielberg's bets IMO) and it quotes Janusz Kaminski explaining that fog and low contrast filters were used (gosh, that film looks beautiful!). Perhaps a lot of filters were used for Indy 4 which would explain the halation effect?
Also, less importantly, I noticed that when torches (flashlights) were shone into the lens, they produced blue, horizontal lines of flare, which also are seen in Transformers. Is this simply a mark of modern lens design?
Anyway, thank you for reading my question!
I finally got around to seeing Indy 4 a few weeks ago (yes, I know, it's over 3 years old...). Sadly I was disappointed by it. However, I noticed a funny thing during one scene in South America. This was, IIRC, when Marion told Indy that Mutt was his son. They were in the back of a farm truck with a Russian guard. I noticed that the light coming through the gaps in the boards was foggy and looked like halation. Does anyone know what that could have been caused by?
I read the American Cinematographer piece on Catch Me if You Can (a much better film, one of Spielberg's bets IMO) and it quotes Janusz Kaminski explaining that fog and low contrast filters were used (gosh, that film looks beautiful!). Perhaps a lot of filters were used for Indy 4 which would explain the halation effect?
Also, less importantly, I noticed that when torches (flashlights) were shone into the lens, they produced blue, horizontal lines of flare, which also are seen in Transformers. Is this simply a mark of modern lens design?
Anyway, thank you for reading my question!