NiSi working on T1.1 35mm, 55, 75mm und 100mm full-frame Cine lenses

[John David Pope]

These T1.1 lenses are already E mount so you're asking to Speedboost E mount to E mount.

Nisi has another line that is PL/EF but they're a T2. You could Speedboost those.

Ah, now I understand. I'll have to stick with speedboosting the Sigma cine T1.5's. That is possible, right?

 

[Dan Kanes]

Color performance looks really good.

Would you say this is apochromatic ? Or nearly apochromatic ?

Actually, it is just a prototype, we even have no time to assemble the aperture.

If you wanna use the T1.1 lens in RED, maybe we can make a Leica M-mount edition.


And as you know, shorter flange distance provide more possibilities in optical designs. But I Guess 1st AC maybe don't like the T1.1 lens ：(

So if you have any thoughts to share about NiSi F3 Prime or New T1.1 series, We are glad to hear and happy to discuss that .



shot by Sony A7R3 + NiSi 75mm T1.1

100% crop

 

[Misha Engel]

Ah, now I understand. I'll have to stick with speedboosting the Sigma cine T1.5's. That is possible, right?

When your on RED you have a couple of options: Abt delivers Canon EF and PL and optitek a whole bunch of other mounts.
Happy focus pulling at T1.1(f1).

 

[Hugues Dagallier]

Wow ! I can't wait too see such lenses. Add a 24mm T1.1, make the performance WO at least decent and make the kit very affordable and I think I will be one of your early client !

 

[Milano Questa]

The 100mm will be massive. I own a 110mm f/0.95 that covers full frame and you could easily fit a Red body inside the housing.

 

[Jiri Vrozina]

One question
Why does one need T1.1?

Ask Stanley Kubrick

 

[Jiri Vrozina]

Color performance looks really good.

Would you say this is apochromatic ? Or nearly apochromatic ?

Yep, Sony trademark colours. Some love it.

 

[Misha Engel]

Ask Stanley Kubrick ��

He didn't have Gemini.

 

[Jiri Vrozina]

He didn't have Gemini.

You do not need Gemini, get the real thing.

 

[Aaron Lochert]

He didn't have Gemini.

You don't even need a Gemini to make that argument. Barry Lyndon was keyed at about 3 footcandles according to an ASC article I read. You can get that with 800 ISO and T1.4, which has been achievable for a long while, now. Gemini at 3200 is two stops beyond that. Almost another stop could be had with these T1.1 lenses. 3 stops beyond Kubrick.

I say we shouldn't stop until I have bust out the neg-fill outdoors at night.

 

[Jiri Vrozina]

Yep, forget about image difference between T1 and T2. Just dial ISO up and up...