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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

New to RED/FCP workflow

This is INDEED a great workflow... UNTIL... the producers then hand you those sections of the film that were shot on a 5D that they want to intercut with the RED , or as in the case of our current film that also used 2K phantom footage. Has VFX finished in a 10 but DPX pipeline and 16 bit TIFF sequences from a 5D timelapse and its all coming back in via QT uncompressed and the director insists on Coloring the 4K RAW in COLOR.

its been a nightmare workflow of testing and failing. a lot. Curious what you do when the dreaded 5D and other codecs are introduced as we RARELY get 100% RED projects
 
Transcode them!
 
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