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http://www.bhphotovideo.com/c/produ...ser_EW_112P_G3_A_EW112_p_G3_Camera_Mount.html
http://www.bhphotovideo.com/c/produ...es_MIXPRE_D_MixPre_D_Compact_Field_Mixer.html
http://www.bhphotovideo.com/c/produ..._11D_Omnidirectional_Lavalier_Microphone.html
http://www.bhphotovideo.com/c/produ..._9041660_9041670_8_3_21_1cm_Articulating.html
especially the Sanken. they make a cheap Sennheiser sound pro.
if ou can get the sound to protools and use some plugins to enhance the sound it'll sound very acceptable and it'll be in camera!
also the a-box
For on-camera-setups (scratch-track) and low-budget external recording i'm using a Sennheiser MKE-600 and i like it.
What a camera guy finds "acceptable" and what a qualified sound person (either in production or post) finds acceptable can easily be two different things.
What a camera guy finds "acceptable" and what a qualified sound person (either in production or post) finds acceptable can easily be two different things.