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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Native 1.8x Anamorphic Lens on Komodo

kevin_laowa

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The Vazen 40mm is now available in Canon RF mount. It is able to cover full height of the Komodo sensor at the 6k mode. After 1.8x desqueeze, vignetting will be cropped at 2.39:1. Price: $3,250/pc


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Footage (Taken with the MFT mount)



More footage of the Vazen 40mm

https://vzlens.com/testimonials-2/
 
Looking forward to a set! I do hope they make a small lightweight wide lens as well using that expired Panavision design the 28mm is based on.

I know the 28mm doesn't quite cover but maybe they can modify.

BTW - Kevin from Laowa - since you posted this, are you guys related to Vazen?

Matt Uhry and I had a lot of fun with your probe lens BTW - won a bronze Clio filming a frog with it!
https://vimeo.com/382404187

Looking forward to a crazy anamorphic probe lens now :P

Bruce Allen
www.bruceallen.tv
 
Just rented the 40mm RF, the menu system on the Komodo is pretty basic but am I missing something in regards to desqueezing the way previous RED cameras do? Right now am able to desqueeze on SmallHD monitor, but it means desqueezing in post, is that the current workflow? red.com seems to be down atm so can't access the operation guide.
 
Correct, as of right now, there is no in-camera de-squeeze. You'd have to de-squeeze on your monitor during filming, then in post (de-squeeze & crop).


Just rented the 40mm RF, the menu system on the Komodo is pretty basic but am I missing something in regards to desqueezing the way previous RED cameras do? Right now am able to desqueeze on SmallHD monitor, but it means desqueezing in post, is that the current workflow? red.com seems to be down atm so can't access the operation guide.
 
Correct, as of right now, there is no in-camera de-squeeze. You'd have to de-squeeze on your monitor during filming, then in post (de-squeeze & crop).

Thank you Ivan for the clarification! In my experience with shooting Anamorphic, there's always some extra step or twenty to take, but it's always worth it!!
 
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