Jon MIchael Puntervold
Well-known member
Every time I see this ergonomic thing just freaks me out at this point. Get some rods, slap the battery back there. You have a nice and happily balanced rig. It's being done on productions everyday when they need the camera rigged that way.
Exactly why less and less a-list films are being shot on Red. DoPs want a camera thats been well thought through, and that works, and are familiar on every job, not a geeky personal hack thats delivered differently by each rental house on every job, with cables all over the place...
In the current line-up: The Clutch, with the Quad-module, +1, touch and Oled with the Remote on the back, makes a camera that most DoPs appreciate in my experience. Looks a bit like a normal camera too.
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