john jeffreys
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Medium Format + Lightfield + Huge color gamut + HDR (native) @ high FPS so that you can change your motion blur/shutter as meta data by blending frames.
Then exposure, focus, depth of field, framerate and motion blur are all meta data. That means that everything would be meta-data. A true RAW workflow. No more NDs. Just rely on the HDR. No more special effect filters, just simulate pro-mist etc based on HDR data. Want Anamorphic bokeh? Add it in post. Want anamorphic lens flares? Simulate it in post from the HDR data. Want to look like Kodak Vision 3? Use the huge color gamut to perfectly emulate it. Want 48fps? Pull out the sub-frames which add up to each 48fps frame. Want 60fps? Pull out every nth frame for 60fps.
Eventually add extreme resolution and multiple-camera interpolation and you can reposition and zoom.
Just strap on a wide angle lens and set your zoom in post. Need to get closer? Reconstruct 3D Geometry from the lightfield and dolly the camera in and out in post as well.
Next step after that: Volume capture. Super dense 3D point cloud of the whole set.
So pretty much just ruin every aspect of the filmmaking process and turn movies into fancy video games? Yeah, no thanks. Autofocus was bad enough.