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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

My perfect module

This is what is so amazing about the modular camera design. If there is a need for something, a solution could likely be made. Especially, once they get things dialed in and they allow 3rd parties to manufacture new modules(well ones that are approved). So even if there isn't a strong enough need for Red to offer a certain niche module, another company may. This is just one of many reasons why I think that Epic/Scarlet are one of the most exciting cameras ever. Imagine, in five years (other than the obvious release of the Monstro sensors) there could be options available for these cameras that we haven't thought of or integrated with technology that has not been invented as of now. Very exciting.
 
RED Bullet Looks Module.

RED Bullet Looks Module.

RED Bullet Looks Module.
Perhaps it has been Requested Before or there is something similar for the brains but I have not seen it.
How about a Looks Module. Perhaps could be paired with an Application For (iPad, iPhone or Computer) or maybe implemented With current Red apps or as a Plugin for Major NLEs and with this application be able to pull a RAW frame, apply the look or Looks you want ( something similar to Magic Bullet Looks) or maybe the ability to Directly interface via USB, FW, Wi-Fi, Etc with apps such as Colorista and set up the Whole camera to work with that look.
Or if needed only the output/s on that Module and leave the Raw Footage Untouched. Oh and must be able to share the same preset with other cameras or users either via Memory Cards or Wirelessly (preferred). Such Module Must have Pro Outputs. This could be Really Useful for Live events where there is really no time for Coloring. And if you really want to impress us do it so we can achieve all of this wirelessly. Now that would be a god send.
If not may be you can implement some of it and allow us to do it via the REDmote.
I Know Scarlet will be used for live events in spite of what some people say. We plant to start with 8 to do mostly Live events. So this would be Really, really Nice to have.
 
Yet another crazy idea for an accessory

Yet another crazy idea for an accessory

Those cylindrical handles would be perfect for cramming in extra battery power. Say you had a handle on top and at least one other, say on the left side with that most minimal Epic configuration, you could slot in two extra cylindrical lithium ion batteries for possibly an extra half hour of recording time. Seeing that Epic is jam packed with features, why not make intelligent use of these handles. They could also feature on/off switches and motor bike style swivel controls for focus or aperture adjustments. All connecting leads hidden within the amertures. The more handles you get, the more potential juice!
 
Another double duty handle idea

Another double duty handle idea

The top handle could possibly have a directional mike incorporated within it. Using that handle for carrying Epic between takes, as well as on camera sound when holding the camera with the other handles.
 
Super WI-FI RED-Module

Super WI-FI RED-Module

The FCC has opened up the spectrum between 50MHz and 700MHz that were previously used for television signals. that space has now been opened up for Super Wi-Fi.

The massive benefit to the spectrum between 50MHz and 700MHz over the currently used 2.4GHz is that the lower frequencies travel better through walls and for further distances. Instead of measuring your router's range in feet, Super Wi-Fi routers will be able to reach for miles. Range is the main benefit, as initial speeds will be at 15Mbps to 20Mbps.
Now that would be good enough for proxies, metadata, etc.
 
User definable handle controls

User definable handle controls

Further to the motor bike handle style controls idea, it would be great to be able to define different actions to the swivel handle such as speed ramping as well as aperture and focus or perhaps even HDRx control? With the right amount of resistive spring force, this could become a very natural way of controlling these parameters for operators.
 
Ray Palin said:
Further to the motor bike handle style controls idea, it would be great to be able to define different actions to the swivel handle such as speed ramping as well as aperture and focus or perhaps even HDRx™™ control? With the right amount of resistive spring force, this could become a very natural way of controlling these parameters for operators.
Click to expand...

I agree Ray, and to add on to this, I forsee the REDMote Pro universal wheel concept being implemented in all sorts of new scenarios, such as the ones you've mentioned. I think the convetional follow focus will ultimately be replaced by a more advanced control method, maybe via two handheld rotating grips, one for focus, the other for zoom/HDR/Ramping/Audio/convergence/etc...

KO
 
The items I am always velcro-ing onto the Red One are:

1) A Lock-it Box.
2) A wireless receiver from the sound dept. to input an audio scratch track
3) A downcoverter to feed non-HD monitors like the XCS TB-6 on steadicams
4) An IDX Cam-Wave Wevi or a Boxx HD Transmitter.

Incorporate any or all into a module(s) and I will be supremely satisfied.
 
Michael Hardwick said:
The items I am always velcro-ing onto the Red One are:

2) A wireless receiver from the sound dept. to input an audio scratch track

Incorporate any or all into a module(s) and I will be supremely satisfied.
Click to expand...

Add my vote. With a modified suggestion;

Internal wireless receiver docking capability.

Use the same industry standard in use on numerous HD cameras.

I have both Sennheiser and Sony units that can slide right into the body of a compatible camera. Very useful.
These receivers pull power and move the audio signals internal to the camera - eliminating cables and ensuring signal integrity.

In practice, there are other production benefits. For example, I often use frequency matched receivers on the sound cart with another receiver internal to the camera. (Sennheiser quad to a SD422 to a SD744T on the cart) I can pick any one of the 4 as a scratch track reference on the camera without adding bulk.
A lot of other applications such as recording a playback track. On multicam shoots, receivers on different cameras can capture different frequencies or match to one - it's a nice iso backup to the cart master recording.
Again, no exposed cables for power, audio - or an external velcro job.

With the form factor of EPIC, an internal slot for a wireless receiver incorporated into a module makes a lot of sense.
 
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iphone docking module

iphone docking module

Instead of memory sticks that hold a limited number of preset looks for some cameras, why not have an iphone docking module. The iPhone could hold the memory for numerous presets that could be tweaked on the phone itself at any time and even emailed from place to place. Easy and quick dial up of looks would be handy. Updates from Red could be downloaded through it in the field, including updates on new presets . The phone could also possibly store a low res proxy file of shoots for convenient review.
 
iPhone module as Redmote alternative

iPhone module as Redmote alternative

Another possibility is the use of the iPhone as a Redmote alternative. The new module would simply be a slim line receiver of the iPhone's bluetooth commands. UI on the phone could mimmick the controls of a Redmote.
 
besides a offline module, a module replacing downconverters,canatrans, lockits, d-tap cables to power c-motions etc.
called cinema module

edit: cant remember i already requestet this ;)
 
intelligent, self balancing shoulder pad

intelligent, self balancing shoulder pad

With Segways and intelligent electric unicycles using gyroscopes and tilt sensors in todays world, how about an intelligent shoulder pad that incorporates this technology to keep the camera centre balanced on the shoulder. It could detect when the camera has been thrown off balance because of a different lens or extra batteries and automatically adjust itself by sliding the pad back or forward to get the centre, balance point. Great if you're on the run and don't have tweaking time to adjust manually.
 
Red Bomber jacket idea... to go with the hat

Red Bomber jacket idea... to go with the hat

The 'Easyrig' company have a nice looking Cameraman's jacket, complete with extra pockets. It would be great if Red designed and sold their own Bomber Cameraman's jacket, with pockets big enough for Epic remote, batteries, SSD cards, etc. It would be a very hot item and it would be great to get a special edition of one of these with every Epic purchased! :-)
 
2.5" RAID Module

2.5" RAID Module

This camera module consist of 4 slots allowing insertion of 2.5" SATA spinning media or SSDs similar to the RED Station 2.5". The module allows formatting all of the discs in RAID 0, increasing their speed up to 4 times. For example, we can insert four inexpensive 500Gb 2.5" notebook drives. With 2Tb onboard the cost of media is about $400.

The module can work stand-alone (and stack onto the RED STATION) or can be connected to the camera (in one block) or can use RED SATA cable (the same as Red One LEMO HDD) to separate the brain from the storage.

Multiple modules can provide mirroring and record simultaneously for data safety.

The module would allow to calibrate and test the maximum speed of the media for each set of four HDDs and warn of a possible data loss when using third party 2.5" media.
 
Teradeck Cube in a module. And a wireless audio i/o module. And (hoping this won't be necessary) a lockit box module.
 
Here are two module ideas for you:

1. UNIVERSAL BATTERY MODULE with a V-Mount adaptor, so we can just mount a battery to the back of the camera. (or do a twin REAR REDVOLT adaptor)

PS: I number 1 I know you might say that that creates a problem REDMOTE, but I think that the REDMOTE is cool, but not always the most practical thing.
-How is is powered?
-Am I going to have to worry about changing batteries on it?
-It adds a "consumables cost"
-how do I hold it when I am operating the camera?

The touchscreen seems to be the goto thing now. I'm feel like I'm not going to be to concerned with a REDMOTE to control the camera.

2. EFP MODULE with HD-SDI out x 2, full XLR IN x 2, TC in & out, genlock in & out. Headphone out.

With these two modules you would have all of the functionality of any competing EFP style camera on earth, while still capturing REDCODE. I can not see why anyone would buy anything else of the camera could, with these two simple modules, be transormed into having all of the functionality of an EFP camera.
 
I'm all about the power splitter module. This will save so much "mess" -

I want a small module that will take:

A) power INPUT from RED BRICK
B) power INPUT from 4-pin XLR

output -

B) two 3-pin Fischer
C) two P-Tap
D) two 4-pin lemo
E) one 4pin XLR

I was also thinking it would be cool if you could attach this IN FRONT of the ProIO module and pull power from the RED VOLTS in the ProIO - but I'm not sure how much current you pull from those - if it's enough to power lens motors, cinetape, etc. etc. - but yeah - would be cool to be abel to use it "untethered" with ProIO - or - BRAIN ONLY with a cable to RED Brick or block if preferred.
 
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