My first RED ONE production

[Randy Che]

So here is some footages and pictures from my recent RED shoot. This is my first dramatic project shooting on RED, I shot it with a set of Zeiss super speed MKIII and a HR 25-250mm zoom lens.

Sample Clip 1
http://www.youtube.com/watch?v=Y0GBBMQDXdA

Sample Clip 2
http://www.youtube.com/watch?v=XLrEp0lFHzQ&feature=related

R. Che
Cinematographer
Image Flare Films
604.505.2588
Vancouver, BC

 

[Filipo]

What type of lighting you have used on the first and on the second footage?

It looks very nice!

 

[Randy Che]

What type of lighting you have used on the first and on the second footage?

It looks very nice!

The first one is lit with only 650w tweenies, here is a pic of the setting

The second night EXT one is lit with one 12K HMI from the back and two 1K Tungsten geled with Chrome orange for the actor's face, and another 1K with 250 for the wall.

 

[Filipo]

The first one is lit with only 650w tweenies, here is a pic of the setting

The second night EXT one is lit with one 12K HMI from the back and two 1K Tungsten geled with Chrome orange for the actor's face, and another 1K with 250 for the wall.

thank you for the informations !

 

[Obin Olson]

rockin it red style!

 

[Noah Posnick]

Why do you have a steadicam op on a fisher on a doorway?

 

[Randy Che]

Why do you have a steadicam op on a fisher on a doorway?

Because the characters are running down the block at full speed, and the steadicam op can't keep up. The fisher's wheel is not build for street road, so I have to put it on top of a western.