Mike Prevette
Well-known member
Curiosity has struck me again. I have done a bunch of tests with the M at 2k with Super-16 zooms and I've been happily surprised with the results. However I never had the need to actually use it on a production.
I'm curious with the improved noise characteristics, and better OLPF, of the MX how 2k performance (as a master format) has improved. Have any of you blessed with a MX done any tests with Super-16 lenses?
I'm curious with the improved noise characteristics, and better OLPF, of the MX how 2k performance (as a master format) has improved. Have any of you blessed with a MX done any tests with Super-16 lenses?