Michael Tiemann
Well-known member
One of the major reasons I purchased two KOMODOs was essential to replace two DSMC2 cameras that simply generate too much noise for my application. I sincerely hope that as a camera company, RED takes seriously the audio and acoustics of their cameras. For audio, proper audio grounding and isolation of their circuit designs. For acoustics, noise and resonances emitted from operations. Dynamic range, sensitivity, resolution, frame rates, and other pixel-related qualities are only part of the variables needed in building a work-class cinema camera.