joakim_hansson
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If you don't anything serious to say with your story then easiest and common way of movie formula(e) is:
JUST GET NEUROTIC, TORTURE OR BE TORTURED
to move your action in a film...
So that's exactly how it happened here:
And even you can destroy that beautiful old car at the end of the film to get an effect without any certain meaning.
For what "heaven's sake"?
To gain a sort of absurdity?
Not so in any right direction of that...
It could be more honest and much better "effect" to shoot a short classic play from "Théâtre de l'Absurde" writers like a
Samuel Beckett, Eugène Ionesco, Jean Genet, Harold Pinter, Tom Stoppard, Friedrich Dürrenmatt, Fernando Arrabal, and Edward Albee...
I could remind the latest movie that shot on Harold Pinter's script:
"Sleuth" directed by Kenneth Branagh
and played by Michael Caine and Jude Law.
That was a masterpiece full of absurdity, shocking, excellent dialog, great acting, directing, cinematography, lighting, editing, interior design, production, etc,...
There is a certain great idea standing behind in this Pinter's script...but here hardly you can find any idea behind except JUST GET NEUROTIC, TORTURE OR BE TORTURED...
Also you don't need 7D to shoot a sort of movies like this in Vimeo site...
Just my "deux baguette" from Eric Kayser.
Still waiting to see what you can do with a camera, except for tests... By the sound of your criticism here you must truly be a master in filmmaking.