Jon Chema
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- Aug 12, 2009
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- Los Angeles, CA
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- www.jonathanchema.com
Does anyone know what sort of filtration they were using for this film? Just read the ASC article about how the majority of it was shot with available light in very remote areas of the mountains. They also used Epics and Optimo and Cabrio zooms. They did a helluva job at controlling contrast and protecting the highlights. Most of the footage looked creamy and filmic- I'm assuming they were using some sort of digi-con/ultra con filter. On a side note, what an incredible use of handheld camera movement. Those ops deserve medals.
Thoughts?
Thoughts?