Zach Swena
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Hi,
I would like to see a setup to mix RED video live and record the output to redcode for later use/post, or output live down scaled to broadcast. Sure there are HD SDI mixers out there already but the finished product is HD rather then full res.
Possible Solution: The REDMix
Connect several Epic, Scarlet, or RED One cameras to REDMix in addition to their own RED Drive. (Obviously shooting res must be the same) The REDMix unit would have all the common mixing features and keying. The mix brains could be expandable to accommodate higher resolutions of some Epic models. The mixer would then output to the appropriate output module (4K, 3K, 2K, HD, internet stream) and another RED Drive. The RED Drive connected to the mixed output should be formatted in such a way that if a production error occurred, it could be loaded to post and mixed with the video from the appropriate camera red drive. If input channels are a price point make that modular also.
This could significantly reduce production time for certain projects/venues, while leaving the ability to fine edit and color correct in post for a hard copy release. It would also make the work flow easier for live broadcast programs that are also released on BD/DVD and soon RED
NOTE: While this is a brainstorm thread please keep ideas practical and leave pricing suggestions up to RED.
PS: Please nicely let me know if I'm off the wall, although I have tried to temper my imagination. Just realize I'm a new engineering student, so I'm full of ideas both good and bad. (please don't see my previous posts) :laugh:
I would like to see a setup to mix RED video live and record the output to redcode for later use/post, or output live down scaled to broadcast. Sure there are HD SDI mixers out there already but the finished product is HD rather then full res.
Possible Solution: The REDMix
Connect several Epic, Scarlet, or RED One cameras to REDMix in addition to their own RED Drive. (Obviously shooting res must be the same) The REDMix unit would have all the common mixing features and keying. The mix brains could be expandable to accommodate higher resolutions of some Epic models. The mixer would then output to the appropriate output module (4K, 3K, 2K, HD, internet stream) and another RED Drive. The RED Drive connected to the mixed output should be formatted in such a way that if a production error occurred, it could be loaded to post and mixed with the video from the appropriate camera red drive. If input channels are a price point make that modular also.
This could significantly reduce production time for certain projects/venues, while leaving the ability to fine edit and color correct in post for a hard copy release. It would also make the work flow easier for live broadcast programs that are also released on BD/DVD and soon RED
NOTE: While this is a brainstorm thread please keep ideas practical and leave pricing suggestions up to RED.
PS: Please nicely let me know if I'm off the wall, although I have tried to temper my imagination. Just realize I'm a new engineering student, so I'm full of ideas both good and bad. (please don't see my previous posts) :laugh: