Lenses Preferences

[Evin Grant]

I chose the T2.1 Zeiss's as well. I think the RPPs are amazing optically but my back just can't handle a 6lb prime for handheld. Also the T2.1s although certainly not optically superior are every bit as sharp in the center and have a very nice rounded, classic quality I've grown very fond of.

 

[Tim Whitcomb]

Where is the mighty Sanjin and his mega large photo of these?

 

[Darren Orange]

Where is the mighty Sanjin and his mega large photo of these?

Hummm... Is whatever glass is larger than the camera a good answer?

 

[Ryan E. Walters]

Another option to throw into the mix are the new Zeiss Compact Primes V2. Same optics as the SLR series, but mod'ed for cinema use and under $20,000 - with the added benefit that they can also be used on the 5D ...
http://blog.vincentlaforet.com/2010...s-are-coming-to-join-the-hddslr-party-part-i/

 

[Bob Renalds]

I love the RPP's (as an owner). But I also like the workhorse Ultraprimes. Ever since I got my RPP's I have not had to rent much and now my new 18mm will mean I won't have to rent at all.

 

[Mark Wilkinson]

It seems like the first question you need to answer is F-mount still lenses versus PL mount cinema lenses.

You can certainly save some money by shooting with still lenses, but they are difficult to work with in most cinema applications. This is a good point for discussion with the DP, operator, ACs - the people who have to operate the camera and build a rig to get your shots. If your camera department are used to PL mount, geared lenses they may find working with still lenses frustrating - check with them.

If you can afford to go with PL lenses, there are many to chose from and a lot of the previous discussion touched on this. It will also make your options with support equipment much wider - matte boxes, follow-focus, etc. All great stuff but it all costs money.

I haven't seen much discussion of zooms - perhaps your question of RPPs limited the scope. If you are moving fast or need long lenses you might benefit from a couple workhorse zooms - something in the 18-50 or 18-85 range (Cooke, Angeniuex or Red, etc.) and then Angenieux HR 25-250 or the super sweet ($$) 24-290 Optimo.

You can shoot a great looking film on still lenses if that is what you have to do - I've had great results with a Nikon 1.8 50mm and a cheap Tamron 2.8 135mm.

Art and commerce and all that.