TedRed
"The Mouth"
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There's an article in the LA times Sunday magazine that will hit tomorrow (the online version is already out there, as another thread here has discovered) and many people have been emailing and letting me know how much they liked the article.
Good stuff there - however after many hours of me being interviewed for the article, they neglected to mention some key things that we discussed at length , so I thought I would mention them here. Matt the author is a really nice guy and a good writer, and certainly has his take on all the time we spent to create the story he wanted people to read… as expected he would not include everything we discussed, since the piece can only be so long, and he as the writer has a certain goal in mind to get a good mainstream read on his piece… so this is not a criticism at all, just some comments of mine before this goes to very wide distribution tomorrow.
So they fact checked everything under the sun with me on this, ad nauseam, much fact checking on things that didn't make the final article.. but somehow neglected to fact check the proper name of the town that RED started out in, that would be Lake Forest, not Lakewood. (apparently there is a Lakewood CA sort of near Long Beach, but it's no where near Lake Forest, it's closer to BellFlower
No mention of the heroic and tireless efforts of the team at RED, developing, building, engineering and getting out in to the world the RED ONE and EPIC, and how much of a team effort it actually is to bring this much change to life, we discussed at length how critical this was to our success. The personality part I get, it's a way to get people to relate to the story beyond the technology, but so much is missed on that front by just taking about me as the face of the company - just one very small part of the world of RED.
They did not mention that Panavision is now one of REDs larger customers, with many our our cameras in their inventory, supporting many major motion pictures worldwide. The angle was to see how much of a story could be made on the "Panavision vs. RED" dynamic, which I would not buy into. We are at a state now where they send ton of our RED ONEs and EPICs out on all kids of gigs and support them just as they would their film cameras… and as much as I like a good drama, and perhaps in the early days of RED growing into itself this may have been a real story, there just isn't really one there any longer.
No mention of the fact that EPIC cameras are being built in the USA, right in Orange County, REDs birthplace. I think this is a really big deal, and I don't think there are any other products of the sophistication of the EPIC being built here in the USA (much less anywhere on the planet) - someone correct me if I'm wrong please.
Some nice quotes from the industry that rounds out the story well I think. Good on em for that. I love reading the stuff from John Schwartzman, Albert Hughes, and Neil Blomkamp - really strong comments from those creating the stirring images that look so good on the big screen, because they are shot with a Cinema level tool that allows their skills to really shine.
I like the fact that they reflected the causal fun attitude and the enthusiasm we have for the industry we are in and respecting with a high quality successor to 35mm film, If I get to be the embodiment of that for the Press - I'm good with it… it's genuine.
The photo editor, also very nice and easy to work with, asked for many photos of cameras on sets, on a very tight deadline, that we managed to get from some major productions, which wasn't easy, but they didn't use any of them - just a nice product shot - oh well…
Here's the link to the article if you want to check it out before it hits newsstands tomorrow.
http://www.latimesmagazine.com/2011/09/the-red-revolution.html
Good stuff there - however after many hours of me being interviewed for the article, they neglected to mention some key things that we discussed at length , so I thought I would mention them here. Matt the author is a really nice guy and a good writer, and certainly has his take on all the time we spent to create the story he wanted people to read… as expected he would not include everything we discussed, since the piece can only be so long, and he as the writer has a certain goal in mind to get a good mainstream read on his piece… so this is not a criticism at all, just some comments of mine before this goes to very wide distribution tomorrow.
So they fact checked everything under the sun with me on this, ad nauseam, much fact checking on things that didn't make the final article.. but somehow neglected to fact check the proper name of the town that RED started out in, that would be Lake Forest, not Lakewood. (apparently there is a Lakewood CA sort of near Long Beach, but it's no where near Lake Forest, it's closer to BellFlower
No mention of the heroic and tireless efforts of the team at RED, developing, building, engineering and getting out in to the world the RED ONE and EPIC, and how much of a team effort it actually is to bring this much change to life, we discussed at length how critical this was to our success. The personality part I get, it's a way to get people to relate to the story beyond the technology, but so much is missed on that front by just taking about me as the face of the company - just one very small part of the world of RED.
They did not mention that Panavision is now one of REDs larger customers, with many our our cameras in their inventory, supporting many major motion pictures worldwide. The angle was to see how much of a story could be made on the "Panavision vs. RED" dynamic, which I would not buy into. We are at a state now where they send ton of our RED ONEs and EPICs out on all kids of gigs and support them just as they would their film cameras… and as much as I like a good drama, and perhaps in the early days of RED growing into itself this may have been a real story, there just isn't really one there any longer.
No mention of the fact that EPIC cameras are being built in the USA, right in Orange County, REDs birthplace. I think this is a really big deal, and I don't think there are any other products of the sophistication of the EPIC being built here in the USA (much less anywhere on the planet) - someone correct me if I'm wrong please.
Some nice quotes from the industry that rounds out the story well I think. Good on em for that. I love reading the stuff from John Schwartzman, Albert Hughes, and Neil Blomkamp - really strong comments from those creating the stirring images that look so good on the big screen, because they are shot with a Cinema level tool that allows their skills to really shine.
I like the fact that they reflected the causal fun attitude and the enthusiasm we have for the industry we are in and respecting with a high quality successor to 35mm film, If I get to be the embodiment of that for the Press - I'm good with it… it's genuine.
The photo editor, also very nice and easy to work with, asked for many photos of cameras on sets, on a very tight deadline, that we managed to get from some major productions, which wasn't easy, but they didn't use any of them - just a nice product shot - oh well…
Here's the link to the article if you want to check it out before it hits newsstands tomorrow.
http://www.latimesmagazine.com/2011/09/the-red-revolution.html
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