K35 Lenses

[Brian Bradley]

Does anyone have a project that was shot on K35 lenses? My client would like to see an example of a short film shot on K35 lenses. I tried showing him some of the big budget music videos and feature films but he'd like to see something done on small scale budget.

Thanks,
Brian

 

[rand thompson]

Unfortunately, most of these were shot on the Alexa Mini

One Week Out West: Desert // Natalia


From Vimeo...

Karl Hein - Director
Brad Knull - Director of Photography
Todd Robles - AC
Allison Maier - Producer
Andy Murphy-Young - Producer
Mike Gillespie - Production Coordinator
Sarah R - Makeup & Wardrobe
Natalia Rosas - Talent
Arri Alexa Mini w/ Canon K35 lenses

[Short Film] Comme Une B1 / 중급불어 (2015)


From Vimeo...


연출 : 얀 케를록
Director : Yann Kerloc'h
촬영/조명 : 김지룡
Director of photography : Ji Ryong , Kim
카메라 오퍼레이터 : 최종만
Camera operator : Jong man , Choi
Technical Specifications :
Runtime 16min
Stereo 2CH Korean
Color
Aspect Ratio 2.39 : 1
Camera RED MX , Canon K35 Prime Lenses
Printed Film Format 2K
D.I : RED CINE X Pro , Magic Bullet Colorista II

NEON

from Vimeo...
OFFICIAL SELECTIONS:
HOLLYSHORTS 2017
AESTHETICA SHORT FILM FESTIVAL 2017
BRITISH URBAN FILM FESTIVAL 2017
SCI-FI LONDON 2017
WORLDFEST HOUSTON 2017 (Award Winner)
USA FILM FESTIVAL 2017
MEXICO INTERNATIONAL FILM FESTIVAL 2017 (Award Winner)
SACRAMENTO INTERNATIONAL FILM FESTIVAL 2017
SONOMA INTERNATIONAL FILM FESTIVAL 2017
RAW FILM FESTIVAL 2017
MANCHESTER FILM FESTIVAL 2017
MUYBRIDGE SHORT FILM FESTIVAL 2017 (Award Winner)
MIAMI SCI-FI INTERNATIONAL FILM FESTIVAL 2017
LONDON FILM AWARDS 2017 (Award Winner)
SF INDIE FEST'S ANOTHER HOLE IN THE HEAD FILM FESTIVAL 2016
BURIED ALIVE INTERNATIONAL FILM FESTIVAL 2016
LUND FANTASTISK INTERNATIONAL FILM FESTIVAL 2016 (NOMINATED: Audience Choice Award)
EXIT 6 FILM FESTIVAL 2016 (NOMINATED: Best Film)
FRIGHTFEST 2016 (World Premiere)
AWARDS:
MEXICO INTERNATIONAL FILM FESTIVAL 2017 - Silver Palm Award, Narrative Short
WORLDFEST HOUSTON 2017 - Platinum Remi, Best Fantasy/Sci-Fi Short Film
MUYBRIDGE SHORT FILM FESTIVAL 2017 - Silver, Best Film
LONDON FILM AWARDS 2016 - Best Director
.......
Starring: Joe Absolom (Eastenders, Doc Martin), Kerry Bennett (Casualty, Hollyoaks), Fraser James (Resident Evil: The Final Chapter), James Kermack (Absolutely Anything), Bill Hutchens (The Human Centipede II & III).
Produced by Roxanne Holman
Cinematography by Stil Williams
Original Score by Paul O'Brien
Sound Design & Mix by Teitur Árnason
Special Make-Up Effects by Dan Martin
Visual Effects by Josh Bower & Simon Tubbs
imdb.com/title/tt5789186/?ref_=fn_al_tt_1
Filmed on ARRI Alexa Mini with Canon K35 lenses
Shot on location in London, England
neonshortfilm.com
mjblackman.com

 

[rand thompson]

You Need To Go Outside

From Vimeo...

Starring: Zuma Davies
Written and Directed by Omeed Rahmani-Khezri
Cinematography by Robin Webster
Edited by Sam Ostrove @Cabin
Colour by Toby Tomkins @ Cheat
Shot on Alexa Mini, Canon k35 lenses
Contact: yntgofilm@gmail.com

Rare Life

From Vimeo..

A short "ducu-portrait" honoring Jake Clark, creator of Save A Warrior. A program that shows veterans and first responders how to cope with their PTS and helps them heal from the heart. We met some amazing men on this shoot and are honored to have been invited to capture this most memorable time in their lives. Jake is the 2018 winner of the Eagle Rare Life Award. An award given every year to people leading a Rare Life.
Filmed in Malibu, California on Alexa Minis with Canon K35 Lenses.

 

[rand thompson]

I loved "Neon" and "Rare Life"

 

[rand thompson]

Heyden

This uses a Red Dragon

from Vimeo...


»HEYDEN« is a short, experimental documentary film about Christoph Heyden, an artist born in Frankfurt, Germany in 1964, who is committed to the dialogue between color and water.
Heyden agreed to play himself in fictional scenes without altering the nature of the scenarios. In surreal episodes, he explores his own work according to his philosophy of change and letting go.
Starring:
Christoph Heyden
Peter Pruchniewitz
Gordana Heyden
and Jochen Langner as narrator
Directed by Philip Specht & Merish Claren
Cinematography & Editing: Merish Claren
Sound Design & Mixing: Moritz Staub // staub-audio.de
Music: Martin Schütze & Peter Thomas Gromer // sparkmusic.de
Executive Producer: Merish Claren
Screenplay: Philip Specht
Digital Colorist: Nicholas Coleman
VFX: Phuong Herzer
Camera Assistant: Simon Spädtke
Technical Assistant: Antonia Zettl
Sound Recordist: Jörg Lehmann
Production Assistant: Alexander Büsing
Property Master: Sascha M. Kaminski
5.1 Mix : Orange Sound Studios
a Dojo Filmhouse Production
Official Selection:
2016 // Aesthetica Short Film Festival
shot on »RED Dragon« and »Canon K35 Lenses«

 

[Ignacio Aguilar]

I shot this short film in march 2013 using my set of Canon K35's, a Red One MX and Red Epic (MX), both shooting 4K. Black & White and some light Double Fog filters.

 

[Nick Morrison]

Does anyone have a project that was shot on K35 lenses? My client would like to see an example of a short film shot on K35 lenses. I tried showing him some of the big budget music videos and feature films but he'd like to see something done on small scale budget.

Thanks,
Brian

Honestly, just look at American Hustle

Shot on K35's and Standard Primes.

I know it's a big budget movie, but a number of the shots (especially in the Museum) are pretty run and gun gritty. We're talking ambient lighting and an LED china ball as the primary talent light.

 

[Michael Lindsay]

I am not sure how much of the movie was actually shot with K35s...

http://www.cinematography.com/index.php?showtopic=61879&page=2

 

[rand thompson]

SUNDANCE 2018 FILMS that used Canon K35 lenses

Dir: Josephine Decker
Camera: ARRI Amira
Lens: K35s

Madeline's Madeline

Decker: “Our film is incredibly immersive and first-person. We needed an aesthetic that didn’t feel familiar. Ashley Connor (our DP) and I spent a long time going through the scenes, and she brought some of her secret techniques to our most internal sequences. Techniques no one really ever uses!”

Dir: Jordana Spiro
Camera: Arri Alexa mini
Lens: K35 lenses

“Night Comes On”

Spiro: “Mostly we used an easy rig in combination with a cinesaddle bag. With limited means, we needed to work quickly and be on the move constantly, so we found ourselves going back to this pairing more than even originally anticipated. It allowed us to stay close to our character in a very subjective way, while still preserving some delicateness to our mostly handheld language.”

 

[rand thompson]

“The Handmaid’s Tale” Season 1

Format: Arri UHD, Prores 4.4.4 (same as season 1)
Camera: ARRI Alexa Mini
Lens: Canon K35

Colin Watkinson: We try for a painterly look on “Handmaid’s Tale,” the mixture of the Alexa capture on Canon K35’s with the LUT we created works well for us. Color reproduction is so important to us, the Alexa suits our style beautifully. The physical versatility of the Mini, having multiple types of builds to suit how we are shooting is the perfect camera for our show. The wide aperture of the Canons help us achieve the shallow focus that we use to express the introspective POV style of the show.