Peter Lyons Collister ASC
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Thanks Evan,
I used 800 ISO on my meters throughout my little RKO film in Atlanta and was very pleased with how it processes out. I have yet to run some shots all the way through 2K DI to see how the noise is but you are correct that one's own tolerance for noise from a creative/Story standpoint and how the post work and delivery system (vimeo all the way to 2K DCP for theaters) is the true test.
Thanks again for taking the time to test and share.
Peter
I used 800 ISO on my meters throughout my little RKO film in Atlanta and was very pleased with how it processes out. I have yet to run some shots all the way through 2K DI to see how the noise is but you are correct that one's own tolerance for noise from a creative/Story standpoint and how the post work and delivery system (vimeo all the way to 2K DCP for theaters) is the true test.
Thanks again for taking the time to test and share.
Peter
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