David Rasberry
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Scarlet is a camera system that has been in development and is still in development. That development has taken a different path from the originally proposed concept, mostly due to requests for capabilities and features from this forum and from RED ONE users that pushed it way beyond the original concept. I understand that most people are used to the way other companies develop behind closed doors and only announce products when they are near market release. But this has never been Red's modus operandi.
Scarlet is a product of visionary enthusiasts driven by quality and performance first, and market dynamics second. We won't know the true final tally until it is released. And it will be released.
From the Scarlet FAQ Dec. 2009 update:
Scarlet is a product of visionary enthusiasts driven by quality and performance first, and market dynamics second. We won't know the true final tally until it is released. And it will be released.
From the Scarlet FAQ Dec. 2009 update:
December '09 Update:
In April of '08 we stunned the world with the announcement of a 3K Scarlet, a camera with a fixed 8X T2.8 zoom lens, a 2/3" CMOS sensor and offering RAW 3K recording on a standard Compact Flash card. Scarlet was an industry changer, competing in quality with other 2/3" systems costing 20 times as much and more. The reaction to Scarlet, universally, was with dropped jaw, yet, as with all things, there were those that wished for something more, or something different. In the months following the announcement, RED's development team analyzed thousands of use case scenarios and we listened to the feedback from Scarletuser and those individuals that championed some features, while criticizing others. It became apparent that RED was designing a "Camera for the Age" and no one camera was going to satisfy everyone. Many loved the idea of a single all-in-one camera, the ideal B-Roll camera, the perfect personal cinema camera. Others wanted more flexibility, interchangeable lenses, more media options, and even more resolution. From the very beginning, RED has challenged convention, both in product and execution, and has always stated that "specifications and delivery dates are subject to change", a credo that has allowed us to be in constant motion and able to respond instantly to consumer wants.
So we looked at the requests, we looked at what we had learned in the development process and we decided that the approach had to be revolutionary, even by RED standards. It would mean pushing back the schedule. It would mean starting with a clean sheet of paper. It would mean taking on the largest camera project in history. This would not follow any previous program. This would not just be a motion camera, nor would it just be a still camera. It would target neither discipline exclusively. It would not be the industry cliché of a "hybrid", which never seems to excel at either task. It would be something entirely different. It would plot a new course for what a "camera" should be. And as the Scarlet Program progressed, it became evident that it should be integrated into the Epic Program. Both programs would share accessories, components and workflow. One System with almost infinite options. Multiple Personalities. It was in November of 2008 that we announced to the world the revised RED DSMC Program. It was revolutionary in concept, courageous in its undertaking and immense in its scope.
One year later, we are on task in offering the most sophisticated and capable imaging system the world has ever known. This is a status update on Scarlet and the DSMC Program as of December 2009. We have learned a great deal about the process of building a revolutionary camera system in the last year. We are humbled. We applaud our competitors and what they have achieved in their history. Technology is a fickle friend and no revolution comes easy. We set out to change the game and build the camera that we, as shooters and enthusiasts, always wanted. We broke rules, we asked for things that our engineers said were impossible, we demanded innovation. We have strived to build the perfect camera. By definition, it was a moving target; with each advance we realized that we could do something more, something new, and we couldn't stop the process. The feature set grew and the camera evolved into something much more than we had ever envisioned. Scarlet, in its original inception was a Pocket Professional camera. Today it is much more, able to sit alongside a RED One or EPIC on set, or stand alone. This is no camcorder, this is a Professional DSMC. Because, frankly, we just didn't know how to do it any other way. Good enough wasn't good enough. In every respect, when corners could be cut, we chose not to compromise. Compromise had been done before and, while adequate for many tasks, compromise can come back to bite you. Scarlet is a no apology effort. From LCD screen to Big Screen, Scarlet will never disappoint.