IPP2 benefit in grading?

[Graeme Nattress]

Aha, So it will be there in the next version of Resolve? Flame will take ages as always I guess

We're working hard on getting the IPP2 SDK out, but better it be right than rushed.

Graeme

 

[Mike P.]

We're working hard on getting the IPP2 SDK out, but better it be right than rushed.

Graeme

Measure twice, cut once.

 

[Sabovic Adis]

There's even more to it than that. In RC-X IPP2 beta you're getting a sharper demosaic and more highlight extension on clipped highlights.

Graeme

Kudos for that. And a healthier color, too. :thumbsup:

 

[Graeme Nattress]

The healthier colour comes from the IPP2 pipeline and the special output transforms, as well as the design of the RWG colour space.

Graeme

 

[Kemalettin Sert]

Graeme we shot a test with newest beta fw and how should colorist view the files best possible way? Because we are comparing with Mini vs Epic-W and i think DP and director just gonna open files with Davinci Resolve.

 

[Graeme Nattress]

So using REDCine-X is going to be a little better than opening in Resolve. You're going to get slightly higher detail / resolution and better highlight retetion of detail (if there are any clipped highlights). Of course, you could spit out RWG/Log3G10 and take that to Resolve to grade.

Graeme

 

[Alain M]

RC-X sits on top of the SDK, so this kind of functionality does indeed make its way to the SDK.

Graeme

Thanks for clarifying Greame... So hopefully in the near future it will be as usual of an RMD like it was with the previous color space, seemless to SDK like Premiere and Davinci so that a default setup in camera, is seen straight in Premiere CC without going to REDCINE X to tweak first. Meanwhile we do have to go to REDCINE X...

Did I get this right? :001_tongue:

 

[Graeme Nattress]

Thanks for clarifying Greame... So hopefully in the near future it will be as usual of an RMD like it was with the previous color space, seemless to SDK like Premiere and Davinci so that a default setup in camera, is seen straight in Premiere CC without going to REDCINE X to tweak first. Meanwhile we do have to go to REDCINE X...

Did I get this right? :001_tongue:

I would assume once the new SDK is put in place, everything will be in place so that 3rd parties can integrate seamlessly.

Graeme

 

[Suresh Kara]

Hi Graeme just testing out the new firmware which is really cool, love the new layout and the new work flow is starting to make senses to me

when monitoring a 3d lut on my SW what exactly is the waveform and goal post showing me?
is it what ever i set in the image pipeline?
and when the 3d out is on what image pipe line does that default to?

many thanks thanks Graeme i will get there in the end

 

[Graeme Nattress]

Hi Graeme just testing out the new firmware which is really cool, love the new layout and the new work flow is starting to make senses to me

when monitoring a 3d lut on my SW what exactly is the waveform and goal post showing me?
is it what ever i set in the image pipeline?
and when the 3d out is on what image pipe line does that default to?

many thanks thanks Graeme i will get there in the end

Goal posts and stop lights are raw as always. Histogram will be based on the Log3G10 data. That's the same for Legacy as it is for IPP2 (if you have a Helium so you can view IPP2 in camera).

Graeme

 

[Greg M]

Aha, So it will be there in the next version of Resolve? Flame will take ages as always I guess

Autodesk has lost its way...hopefully not.

 

[Mike P.]

Hey Graeme,
Any word on whether the transforms will be implemented in FCPX like their current "Log Conversion" for other cameras (Slog, CLog, PannyLog, and LogC) and if so, will it be like the RCXp transform or a (less accurate) LUT?