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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Inferno - Feature Film HD Trailer - Shot on Red Pro Primes

Tonaci Tran

Tonaci Tran

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First Official Trailer

http://www.youtube.com/watch?v=dJ5ILWvhZIk&hd=1

10th Feature Film in Vietnam Shot On Red - Coming to theaters in VN this August.

Title: Giao Lo Dinh Menh - Inferno
Release Date: August 2010
Director: Victor Vu
DP: K'Linh
Genre(s): Drama Thriller
Production Company(s): Saiga Films - Star Media Group
Camera: Red One Camera + Red Pro Primes + Zeiss Super Speeds
Red Camera Supervisor: Tonaci Tran

4255769704_737bf31abc_o.jpg
 
Beautiful. Looking forward to seeing this one.
 
Thanks everyone for the kind words.

Matthew, I appreciate the words of encouragement.
I have been primarily camera operating out here and have thought about the idea of moving in the DP direction but deep inside I want to eventually direct more things. I am hoping to direct my own feature in 2-3 years. The hard part of course is writing a good script hehe. we'll see how it goes.

for now, I am just grateful to be a part of some really cool projects out here.

On a sidenote, this is a screengrab from the latest film I am working on in vietnam.

http://www.tonaci.com/videos/helmet.jpg
 
Great work. What kind of software did they use for color correction?
Good luck for your film.
 
Great looking trailer.

Tonaci,

Why both RPPs and Zeiss Super Speeds ?

I'm curious to know which shots are RPPs and which are Super Speeds ?

Thanks

Antoine
 
Of all the movies we have done out here.. this one would have been perfect for the mysterium x since we shot so many night scenes. This actually was not shot on mysterium - x. The super speeds helped out with the extra stop though the RPP's were used for the significant majority of the shoot.

The RPPs are noticeably sharper..and I notice when checking focus (hitting magnify on the lcd), it is much easier to dial in the focus on the RPPs.

Luca, this trailer was cut from offline prores files rendered out using red rushes and were not color graded. =)
 
Tonaci Tran said:
Of all the movies we have done out here.. this one would have been perfect for the mysterium x since we shot so many night scenes. This actually was not shot on mysterium - x. The super speeds helped out with the extra stop though the RPP's were used for the significant majority of the shoot.

The RPPs are noticeably sharper..and I notice when checking focus (hitting magnify on the lcd), it is much easier to dial in the focus on the RPPs.

Luca, this trailer was cut from offline prores files rendered out using red rushes and were not color graded. =)
Click to expand...

Clear answer Sir :)

Thanks

Antoine
 
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