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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Idea for 24fps on Scarlet @ 5K

Zhibo Lai

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Had a random idea that came to my head while planning for Red 4K Portrait contest on how to get 24fps using 2 Red Scarlet-X's.

- Use a 3D mirror box rig, and align the mirror so both cameras see the exact same image.
- Off-sync the cameras so one camera starts at exactly 1 frame after the other.
- Record at 5K 12fps.
- Bring both camera clips in post, edit, grade, then match the edits to the 2nd cam's footage
- Now export DPX frames off-setting the numbers. First camera is all even, second camera all odd.
- Recombine DPX frames from both cameras in sequence and now you have 24fps.

Obviously this is overkill and would be cheaper to just get an Epic. But, this idea could have other implications for those who already have easy access to 3D rigs. Say shooting 600fps on Epic. Anyone with 3D experience have comment on whether this method would work or not?
 
Yeah, for the rig and mirror and dual SXes you could just buy an Epic-X and get 120fps at 5k... I do like the idea of swapping into 3D mode, but this really isn't a feasible real-word set-up... I mean, even if you had a buddy who had an extra scarlet sitting around (as in, you wouldn't have to pay for it) I'd rather do 4k 3D than 5k 2D...
 
I would imagine your on-set experience would go something like this:

AC - "Wait, why am I setting up the 3d rig again?"
Steadicam Op - "Wait, why am I killing my back with this 3d rig again?"
Producer - "Wait, why did we spend more on 2 Scarlets and a 3d rig if we're not shooting 3d? Couldn't we have gotten an Epic for less?"

:) I do love thinking outside the box, but this one feels a little past the left field fence.
 
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