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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Hate to keep beating a dead horse here.

S

SF Geek

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All Red's new cameras sound unbelievably amazing, I was hoping to hear some announcement on the future of red post. Anybody hear anything about that?
 
I heard Adobe kicks ass! Jim made mention of that last night that it would work with Red native. I would like to hear some actual user feedback.
 
A guy from adobe mentioned the plugin "should" be ready before thanksgiving. He did stress that "should" part. It,s somewhere on the Nov 13 response- so I can't find it.
 
raulgonzo said:
A guy from adobe mentioned the plugin "should" be ready before thanksgiving. He did stress that "should" part. It,s somewhere on the Nov 13 response- so I can't find it.
Click to expand...

We'll have it before Thanksgiving. Just wrapping up a couple of bits, and along with the plug-in (downloadable from RED/support and linked from Adobe) will be a Premiere Pro and After Effects update to CS4 that is required (read you'll be much happier if you take the update).

Native support for R3D files in Premiere Pro, After Effects, Encore --- pull it in, switch resolutions on the fly. It's all good stuff.

Simon Hayhurst
Adobe Dynamic Media Team
 
Andrew McCarrick said:
Still not fully supported... I have to do all that shit with the metadata and then batch import. Not doing it. If I can't pull in files directly from REDCine, I'm not using it.
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Because with film there sure are no intermediate steps between the camera and editing with the AVID, you can just pull the roll of exposed negative off the camera and feed it into the computer through the slot in the front.:sarcasm:
 
Clint Johnson said:
Because with film there sure are no intermediate steps between the camera and editing with the AVID, you can just pull the roll of exposed negative off the camera and feed it into the computer through the slot in the front.:sarcasm:
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Never shot film, never plan to, actually don't really care it exists. Scanning and all the crap of film is one of the primary reason I don't use it. (Not to mention film grain, can't stand that crap either)

Although, with film you can neg. cut without anything in between.
 
Andrew McCarrick said:
Never shot film, never plan to, actually don't really care it exists. Scanning and all the crap of film is one of the primary reason I don't use it. (Not to mention film grain, can't stand that crap either)

Although, with film you can neg. cut without anything in between.
Click to expand...


Are you going to reinvent storytelling too??

The arrogance on both sides of the film/digital debate is always amusing with the morning coffee.

Let's get real here, these are tools, means to an end. The end result is a completed production, whatever it is.

The hope is that production will go out into the world and find it's own audience and live on and then you go and do another one and another one.

We can noodle around with the details all we want, but if you get stuck in the details then the overall production suffers.

People bitch about Apple and Avid a lot here, instead of solving whatever their issues may be.

I admire a company like Plaster City Post that boasts finishing 100 Red productions, using both Apple and Avid. I been to their entertaining open houses where they lay down the different paths for working with Red footage. They make it seem simple, but then I realized it's not rocket science. Just seems like it sometimes.

This stuff isn't as hard as it seems if you research your options. Sometimes you have to invent a few steps, but that's ALWAYS been the case with filmmaking. You build on previous experience and come up with new tricks.
 
Hayhurst said:
We'll have it before Thanksgiving. Just wrapping up a couple of bits, and along with the plug-in (downloadable from RED/support and linked from Adobe) will be a Premiere Pro and After Effects update to CS4 that is required (read you'll be much happier if you take the update)...
Simon Hayhurst
Adobe Dynamic Media Team
Click to expand...

Deanan said:
Adobe plugin update:
... In addition, there is going to be an After
Effects update out in the next couple of weeks which is essential to our
ability to create a really good workflow for RED files.
Click to expand...

Mr. Hayhurst... does your statement still hold?.. or has your schedule been backed-up by a "couple of weeks?"
 
Just trying to understand delivery dates :mail1: ... know what I mean Mr. Postman?
 
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