Grade my R3D

[Marinus Brückmann]

I would very pleased if you want to give me some Grades.
Thank you,
Marinus
https://www.dropbox.com/sh/h3d1njnixmtjhdl/AAB5gVMOFkvS34W75vGPVYfYa?dl=0

 

[Marinus Brückmann]

Quick Grade
https://www.dropbox.com/s/8hpv0mm3i49rn19/My Test_1.24.1.jpg?dl=0

 

[Sabovic Adis]

Die Schöne:

Mahlzeit! :wink5:

 

[Andrei Goaga]

 

[Andrei Goaga]

 

[jussi rovanpera]

 

[Les Hillis]

I doubt it suits your intent, but I like the look anyway...

 

[Marinus Brückmann]

Cool thank you!!! Nice ones! I like the dark one also, but i don't think it fits to the clients expectations

 

[Marinus Brückmann]

Hey Sabovic, Nice skintones, looks great! Thank you! Do you speak German? Dankeschön!

 

[Jacob Ryan]

I agree. Great skintones Sabovic. Care to share the process?

 

[Sabovic Adis]

Hey Sabovic, Nice skintones, looks great! Thank you! Do you speak German? Dankeschön!

Na logo, was wäre ich für 'ne Weltklasse wenn ich kein Deutsch könnte?! :rofl:
:thumbsup:


Of course I do, be my guest! Bitteschön!:driving:

 

[Sabovic Adis]

I agree. Great skintones Sabovic. Care to share the process?

Actually, no process to it. I just exported a dpx frame out of RCXP, imported it in my NLE, selected the "log" wokingspace, and that's it - basic "film color".


P.S.
That NLE isn't made no more so I'm too embarrassed to even say it's name - don't ask. :rofl:

 

[Scott Lamoreaux]

how was this lit?

 

[Jacob Ryan]

Actually, no process to it. I just exported a dpx frame out of RCXP, imported it in my NLE, selected the "log" wokingspace, and that's it - basic "film color".


P.S.
That NLE isn't made no more so I'm too embarrassed to even say it's name - don't ask. :rofl:

It doesn't matter, all that matters is that it looks great in the end. So good job, regardless of what softwares you used.

 

[Sabovic Adis]

It doesn't matter, all that matters is that it looks great in the end. So good job, regardless of what softwares you used.

Thank You, Jacob, those are very kind words - much appreciated!
I, kinda, like to stick to what I know, be it software or hardware. My audio monitors, for example, are 20+ years old, I and wouldn't switch to anything else, not because I have the best sounding speakers in the world, but because I know them inside out.
I guess I'm too afraid of the change... :rofl:

:thumbsup:

 

[Milano Questa]

Thank You, Jacob, those are very kind words - much appreciated!
I, kinda, like to stick to what I know, be it software or hardware. My audio monitors, for example, are 20+ years old, I and wouldn't switch to anything else, not because I have the best sounding speakers in the world, but because I know them inside out.
I guess I'm too afraid of the change... :rofl:

:thumbsup:

Don't fix what isn't broken. ;-)

 

[Matthew B]

Here are some redcine one lights that might get you started.

You have some tricky mixed lighting scenarios to solve to make those 2 shots look like the same scene - After a one light, some masked adjustments to bring the magenta out of the shadow side of the face and neutralize the grays/blacks in the image without oversaturating the skin would be good.

Also, IMHO I think there is some cool reflections of the pan in the glass, so I don't think you should crush that out. ANd some masked adjustments on the noodles to correct saturation and hue would be simple.

If the spot is for a brand, I'd neutralize all the metal - there are mixed hues in it.

If the spot is for cooking lifestyle - then I'd focus on the chef and adjust the cooking shots to match that -

Attached are some RMDs and jpgs for reference.

 

[Sabovic Adis]

Don't fix what isn't broken. ;-)

Hell no! :rofl:

 

[Chuks Ude]

 

[Visar Sulejmani]

My Grade of the R3Ds

My Grade of the R3Ds

My take:


Sorry guys, I'm a Color Grading noob, still waiting for my Raven to really get into this.

I don't know how to get the bloom out of the first one, I didn't want to sharpen it out of the image, but It would probably match better with the second shot.