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Gothic Music Video

Snow R. Shai

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May 27, 2008
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Location
Tel Aviv
Website
www.snowdrum.com
Tula - Hey You

View the music video here:
http://www.snowdrum.com/Tula:_Hey_You.html

Shot on Red One, Build 16.
Lens kit: Elite Prime Lenses 18-100.
Director_editor: Snow
DOP: Benji Cohen
Produced by Snowdrum Audio Visual

Special thanks to Ido Karilla and Edit Studios.
Viewer comments are welcomed.
 
It is loading around 118KB/s but won't play it before it is 100% downloaded.
Works fine !
 
Not downloading at all here. It sat there for nearly an hour -- nothing.
 
Played fine for me. Some great looking shots. Could you give more details about the shoot, lighting setup for example.
 
Not loading. Plz offer a direct mov if you can.

Better yet, upload it to vimeo for the win.
 
Vimeo & Details

Vimeo & Details

Sorry to hear about the network plumbing problems...
Here is the vimeo version -
http://vimeo.com/1839638

More details on the shoot:
Thanks to a truly wonderful crew and a great location, we have managed to shoot this entire clip in... one day. Crazy shot list. It was an interesting run, for sure. This is one location that had what the script needed; a forest, a ruin and some sort of lake.
We started setup at noon, for the opening dolly shot. First shot came in the afternoon, with just beautiful natural light in the forest. This helped us move quickly through the magic hour day shots - we knew we are in for a long night...
We were working off batteries, when the RED crashed the first time at night.
It might have been a bad battery, but switching to another did not boot. We turned to electricity and here we go. We had 2 more power failure induced crashes. The sweet spot was to wait 5 min. flat before turning the camera on again. It worked both times, and seems like the right time to let the RED relax before boot. We had a pretty smooth day - 30 min. downtime in a 14 hours day is pretty fantastic.
We used maxi brutes, mini brutes, kinos and 2k chimera. The lighting crew headed by Ziv Berkowitz worked fast and hard to keep us going from setup to setup. Benji, our dear DP managed to shoot extra shots between setups and saved valuable time. Tula hit all her marks. Art was ready every single take. We were all in the zone. Focused... and enjoying every minute of it.
Our DIT used a Macbook Pro and 2 TB on separate disks.
It was beautiful to check shots in RedCine on location. Everyone loved it! The crew really liked seeing it's hard work pay off, almost instantly. It was rewarding. It was magic time for 14 hours. Thank you, my dear crew...
Could not have done it without you!

Post Production was done at Edit Studios with Ido Karilla's support. One light using RedCine > 2K ProRes > FCP > Color > Master ProRes. Made on an 8 core Mac Pro and fiber G-speed RAID. Easy & Beautiful.
 
Snow,
Thanks for the info. Impressive work - especially given the time constraints.
 
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