william howell
Well-known member
Hello all...
first off... let me say that i know the people on this board are the who's who of the camera industry... and... i am honored to be in such company.
I, however, am a nobody..
There has been recent talk at my work (a computer research facility) to procure a Red Epic... and since i am the Multimedia specialist... it will be my job to operate the camera and edit the footage.
so.. for the last 2 weeks... i've spent night and day reading up on everything about this camera... every question i have has been answered, usually by a thread on this forum... and i have absolutely no doubt that whatever issue may occur, the users of this forum will go out of their way to help me quickly resolve any problem that may arise.
i currently shoot with Sony, Pentax and Canon products.. the 5dmiii being my workhorse.
It's my job to document our research.. sometimes for scientific observation purposes... sometimes for fund raising purposes... in a roundabout way, i've had to learn how to make short films... research sells, and the more captivating still images and video i can grab.... the better the results in our never ending quest for funding.... however... in order to capture still images, i've usually got to switch cameras... or... switch from movie mode to still image mode.. but... in doing so... i'm making a compromise... the still images are needed for print... and the video... well.. i've missed some historical moments shooting stills... and... it's not a good feeling when that happens.
i am, needless to say, about to explode with anticipation for the dragon sensor... one sensor that does it all... at the same time... i REALLY hope that we can get one when it's released.
I work in FCP X... i also use CS 6, but more for photoshop and after effects for timelapse projects..
assuming that we procure a few red rocket cards... storage space might be my biggest hurdle...
I understand about file sizes, and the massive amount of data that the epic (much less the dragon) will record... and that is my biggest concern...
there are quite a few instances where I've had to record for 15-20 minutes... and only need to keep 30 seconds of footage... until now, i've just had to set my in and out points while "capturing" the media, and then i've been good to go. Do Red video files work that way upon import?
in other words... can i just snag what i need out of a shot off of a redmag and trash the unusable stuff?
or better yet... can i edit right off the redmags? or is the data transfer too slow?
i would never edit off of a cf card... and i'm pretty sure that the answer is the same for Redmags... but... hey... i have no idea about red's technology.... and.... well... that's why i'm here.. to ask the stupid questions.
most of the footage i shoot is archived, so... data management is my main concern...
I'm SUPER excited to finally get to work with an industry level camera... and i'm sure i'll have a multitude of questions to ask in the coming months/years...
anyways...
thanks for any info.
billy
edit*** also... we shoot in a controlled environment most of the time... but... have been known to take our gear out in 100 + degree houston heat... to the top of arctic mountains... and deep into the jungles of central america... we use kessler cranes, dollies, and cinesliders... and have a ikan shoulder mount rig.... a flowpod steadycam... I've not really ever been concerned with exposing the cameras to such intensely different environments... and am fully aware that we'll have to calibrate the Red for when we do extreme environment changes... but... are there special housings we'll need to go to these places and shoot?
what red accessories are ABSOLUTELY necessary to your workflow? handles? monitors?... I'm assuming the Epic Pro collection on the website is where we'll start, in terms of purchasing... but... the modular design makes me really uneasy in terms of knowing what i'll need..
first off... let me say that i know the people on this board are the who's who of the camera industry... and... i am honored to be in such company.
I, however, am a nobody..
There has been recent talk at my work (a computer research facility) to procure a Red Epic... and since i am the Multimedia specialist... it will be my job to operate the camera and edit the footage.
so.. for the last 2 weeks... i've spent night and day reading up on everything about this camera... every question i have has been answered, usually by a thread on this forum... and i have absolutely no doubt that whatever issue may occur, the users of this forum will go out of their way to help me quickly resolve any problem that may arise.
i currently shoot with Sony, Pentax and Canon products.. the 5dmiii being my workhorse.
It's my job to document our research.. sometimes for scientific observation purposes... sometimes for fund raising purposes... in a roundabout way, i've had to learn how to make short films... research sells, and the more captivating still images and video i can grab.... the better the results in our never ending quest for funding.... however... in order to capture still images, i've usually got to switch cameras... or... switch from movie mode to still image mode.. but... in doing so... i'm making a compromise... the still images are needed for print... and the video... well.. i've missed some historical moments shooting stills... and... it's not a good feeling when that happens.
i am, needless to say, about to explode with anticipation for the dragon sensor... one sensor that does it all... at the same time... i REALLY hope that we can get one when it's released.
I work in FCP X... i also use CS 6, but more for photoshop and after effects for timelapse projects..
assuming that we procure a few red rocket cards... storage space might be my biggest hurdle...
I understand about file sizes, and the massive amount of data that the epic (much less the dragon) will record... and that is my biggest concern...
there are quite a few instances where I've had to record for 15-20 minutes... and only need to keep 30 seconds of footage... until now, i've just had to set my in and out points while "capturing" the media, and then i've been good to go. Do Red video files work that way upon import?
in other words... can i just snag what i need out of a shot off of a redmag and trash the unusable stuff?
or better yet... can i edit right off the redmags? or is the data transfer too slow?
i would never edit off of a cf card... and i'm pretty sure that the answer is the same for Redmags... but... hey... i have no idea about red's technology.... and.... well... that's why i'm here.. to ask the stupid questions.
most of the footage i shoot is archived, so... data management is my main concern...
I'm SUPER excited to finally get to work with an industry level camera... and i'm sure i'll have a multitude of questions to ask in the coming months/years...
anyways...
thanks for any info.
billy
edit*** also... we shoot in a controlled environment most of the time... but... have been known to take our gear out in 100 + degree houston heat... to the top of arctic mountains... and deep into the jungles of central america... we use kessler cranes, dollies, and cinesliders... and have a ikan shoulder mount rig.... a flowpod steadycam... I've not really ever been concerned with exposing the cameras to such intensely different environments... and am fully aware that we'll have to calibrate the Red for when we do extreme environment changes... but... are there special housings we'll need to go to these places and shoot?
what red accessories are ABSOLUTELY necessary to your workflow? handles? monitors?... I'm assuming the Epic Pro collection on the website is where we'll start, in terms of purchasing... but... the modular design makes me really uneasy in terms of knowing what i'll need..
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