Steve Gibby
Red Savant
“The original 300mm lens is exactly the same optically and mechanically as the new Pro 300mm. The new Pro 300mm has the new "Pro" ID to match the 18-85mm zoom and RPPs. And we finally get to make a little money on it. The original 300mm is certainly not "un-pro"
Jim Jannard
4-16-09
http://reduser.net/forum/showpost.php?p=402033&postcount=156
So optically and mechanically my original version RED 300 is exactly the same as the currently offered version. This original version had a built in lens collar, so supporting it with rods is easy. It uses 43mm filters in a drop-in tray just above the mount.
Zooms are the most practical lens type to use in most of my work. I own a lot of primes - but they rarely get used. So, I'm selling my original version RED 300mm f/2.8 prime (Imperial). It is in pristine condition - as new - on a scale of 1-10 for condition it is a 10. It will cover full frame 35mm, so it is ready for FF35 Epic and Scarlet.
My RED 300 has some seriously cool history. I took delivery of this lens on August 31, 2007, along with RED #8 the evening the first RED One cameras were delivered - at the very first RED Day event. I’ve shot some incredible footage over the past two years with my RED 300. It is extremely crisp, nice bokeh, solid MTF profile, etc. This is the exact lens that my L.A. Red Test team (Dave Mullen, Matt Uhry, etc.) bench tested in December 2007 – with excellent reviews. It is also the same lens I later shot with at LART for some of the action scenes we shot (Cadillac driving toward the lens) – again with great reviews of the footage quality. In terms of value, because of its rich history and pristine condition, this is IMO the most valuable original version Red 300 prime in existence.
The third pic is of me shooting with my RED 300 in December 2007 in Hawaii. I was there field producing and directing some coverage of the Pipeline Masters pro surfing event. We shot from a helicopter, in-water, and long lens land. In this pic, as I tested out the lens at the Turtle Bay, I'm using a bottom plate made by Fujinon for their long HD EFP/ENG lenses to support the lens. I rarely use matte boxes or follow focus units on my rigs - thus the absence of such. I've also supported the lens many times with 15mm aluminum rods and a custom bridge/screw combo to the lens collar. The lens only weighs 6 pounds so lightweight rods work great to support it. That is my RED#8 the lens is mounted on.
I really hesitate to part with this lens, but nearly all of my work entails zooms, and in my work I use 35mm stills lenses on my Red cameras almost exclusively. Looking forward to Epic and Scarlet, I plan to use the RED Electronic Lenses and 35mm stills lenses exclusively in my work – no PL mount cine lenses, matte boxes, or follow focus units at all. My rigs are stripped down for maximum mobility, using screw-on filters and racking lens barrels to focus by eye.
The Red 300 is a superb lens for wildlife, sports, nature, long lens commercial work, etc.
As Jim mentioned above, optically and mechanically the original version RED 300 is exactly the same as the currently offered version. The current version price is $6k USD. Keeping in mind the perfect condition of my lens, its unique history, and its optics and mechanics being equal with the current version, if you’d like to purchase my lens make me an offer for it.
I can do PayPal. Sale limited to USA buyers. Best case for me is to sell to a California buyer - and I'll deliver the lens in person.
Please PM me with inquiries...
Jim Jannard
4-16-09
http://reduser.net/forum/showpost.php?p=402033&postcount=156
So optically and mechanically my original version RED 300 is exactly the same as the currently offered version. This original version had a built in lens collar, so supporting it with rods is easy. It uses 43mm filters in a drop-in tray just above the mount.
Zooms are the most practical lens type to use in most of my work. I own a lot of primes - but they rarely get used. So, I'm selling my original version RED 300mm f/2.8 prime (Imperial). It is in pristine condition - as new - on a scale of 1-10 for condition it is a 10. It will cover full frame 35mm, so it is ready for FF35 Epic and Scarlet.
My RED 300 has some seriously cool history. I took delivery of this lens on August 31, 2007, along with RED #8 the evening the first RED One cameras were delivered - at the very first RED Day event. I’ve shot some incredible footage over the past two years with my RED 300. It is extremely crisp, nice bokeh, solid MTF profile, etc. This is the exact lens that my L.A. Red Test team (Dave Mullen, Matt Uhry, etc.) bench tested in December 2007 – with excellent reviews. It is also the same lens I later shot with at LART for some of the action scenes we shot (Cadillac driving toward the lens) – again with great reviews of the footage quality. In terms of value, because of its rich history and pristine condition, this is IMO the most valuable original version Red 300 prime in existence.
The third pic is of me shooting with my RED 300 in December 2007 in Hawaii. I was there field producing and directing some coverage of the Pipeline Masters pro surfing event. We shot from a helicopter, in-water, and long lens land. In this pic, as I tested out the lens at the Turtle Bay, I'm using a bottom plate made by Fujinon for their long HD EFP/ENG lenses to support the lens. I rarely use matte boxes or follow focus units on my rigs - thus the absence of such. I've also supported the lens many times with 15mm aluminum rods and a custom bridge/screw combo to the lens collar. The lens only weighs 6 pounds so lightweight rods work great to support it. That is my RED#8 the lens is mounted on.
I really hesitate to part with this lens, but nearly all of my work entails zooms, and in my work I use 35mm stills lenses on my Red cameras almost exclusively. Looking forward to Epic and Scarlet, I plan to use the RED Electronic Lenses and 35mm stills lenses exclusively in my work – no PL mount cine lenses, matte boxes, or follow focus units at all. My rigs are stripped down for maximum mobility, using screw-on filters and racking lens barrels to focus by eye.
The Red 300 is a superb lens for wildlife, sports, nature, long lens commercial work, etc.
As Jim mentioned above, optically and mechanically the original version RED 300 is exactly the same as the currently offered version. The current version price is $6k USD. Keeping in mind the perfect condition of my lens, its unique history, and its optics and mechanics being equal with the current version, if you’d like to purchase my lens make me an offer for it.
I can do PayPal. Sale limited to USA buyers. Best case for me is to sell to a California buyer - and I'll deliver the lens in person.
Please PM me with inquiries...