First Red Production in Austria

[Rainer Fritz]

Hi All !

So now the final version of our musicvideo is online:

http://www.redcamservice.eu/redcamservice/herbstrock.html

regards

Rainer

P.S.: Don't forget the pictures.... : http://redcamservice.eu/pics/index.html and http://redcamservice.eu/pics/index1.html

Director: Christoph Strobl
Concept: Christoph Petrik
DoP: Marco Zimprich aac
Producer: Stefan Wolner, Simon Baumgartner, Rainer Fritz
Exec. Prod.: Christian Raberger
Offline Edit: Manes Duerr
Post Production: Golden Girls Filmprod. - Raphael Barth
Steadicam: Robert Eder
1st Ass. Dir.: Christopher Sacken
1st AC: Alex Pueringer
Gaffer: Alex Haspel
DIT: Edwin Verstegen, Rainer Fritz
and many more....

thanks all for this great work at this way...

 

[Greg M]

Nice work Ranier!

What monitor do you have in the ATA case?

 

[Larry McKee]

Yes, very nice work. But, the audio must be messed up - I can't understand a word she says. :clown2:

 

[Radoslav Karapetkov]

Very nice song and video.

 

[I Bloom]

Rainer,

Dieses Video ist toll.

Wenn Sie hatte die Chance wieder würden Sie wählen, ob Sie Rate Kamera auf 200ASA.

Ich interessiere mich für eine RAW TIFF Datei, wenn Sie verpflichten können.

IBloom

 

[alex_h]

Rainer,

Dieses Video ist toll.

Wenn Sie hatte die Chance wieder würden Sie wählen, ob Sie Rate Kamera auf 200ASA.

Ich interessiere mich für eine RAW TIFF Datei, wenn Sie verpflichten können.

IBloom

smells a bit babelfishy... :biggrin:

 

[I Bloom]

smells a bit babelfishy... :biggrin:

Four years in der Gymnasium mein freund.

 

[Sanjin Jukic]

Rainer,

a nice RED test video.:clown2:

 

[Rainer Fritz]

yes you are right, their english is not the best in the video, but we are working on it.
@digitalfx: we graded with a class A 2k monitor...
@ibloom: four years gymnasium did a good job... at the low light shots we rated at 200 ASA and the EXT at 320 ASA. I will send you a ftp account.

thx for the comments...

regards
rainer

 

[Emmanuel Cambier]

Hi Rainer

Congrats on the shooting.

But I am a bit disapointed by the compression for the web, a lot of cliped highlights on the skins, that makes it look like shot on a bad HD cam, could you consider reencoding your stuff.

Thanks

Emmanuel

 

[Jim Arthurs]

I second Emmanuels request... I've been using the rough cut of this video as the first footage I share with people when talking about the RED.

It would be wonderful to have one that has a higher bit-rate encoding, equal to the rough cut.

Regards,

 

[BASSAM MSSALATIE]

Hi All !

So now the final version of our musicvideo is online:

http://www.redcamservice.eu/redcamservice/herbstrock.html

regards

Rainer

P.S.: Don't forget the pictures.... : http://redcamservice.eu/pics/index.html and http://redcamservice.eu/pics/index1.html

VERY NICE work .. did you spent too much time in editing and codec issues we have been hearing too much disscusions about workflow and it's:sad: challenges

 

[virtual-one]

looks very good!
thank you

 

[Friedrich Moser]

Geiles Ding! Love your framing! Dolly or steadicam? Both? Which optics, esp. on the wide-angle shot beneath the autobahn?

LG Friedrich

 

[Daniel Reichenbach]

The song is boring, but the pictures looks just great, fantastic, promising,

 

[Peter McCully]

"Nice video....shame about the song".....
I am about to embark on a Red shot video myself, so I had better not be too harsh.
I am realising there is a "look" to Red footage that is immediately apparent. It is not a bad thing that it has a distinctive feel to it but it does have a character of it's own just as filmstocks do. The beauty is, it can be manipulated and fruited up in post but deep down it's Red.

 

[Rainer Fritz]

Hey Guys !

Thanks at all...

Yes the highlights can be a little reduced in the front shots. We looked at the grading to a class A monitor and color said that it is under 95%. But looks a little bit too high for the lcds.
To have a specific red look is not bad. And as you said, you can adjust it like your needs. To soften the sharp picture for example is no problem if it is needed....
We used a Panther Dolly, Cine Jib Crane, Steadicam... was great to have so much very nice toys on the set, and in the front the red cam.

regards
rainer

 

[Peter McCully]

Totally agree the Red look (that it has a "look") is not bad. I like it. I commented on the images for "Red Dirt Rising", how the period look was really enhanced by the smooth silky Red imagery. It's not just a neutral, impartial recording medium but an emotional, textural one that paints with light.

 

[I Bloom]

"Nice video....shame about the song".....
I am about to embark on a Red shot video myself, so I had better not be too harsh.
I am realising there is a "look" to Red footage that is immediately apparent. It is not a bad thing that it has a distinctive feel to it but it does have a character of it's own just as filmstocks do. The beauty is, it can be manipulated and fruited up in post but deep down it's Red.

I think that is in part because everyone leaves it clean in post... because well this is the first time we've been able to shoot it so clean. Especially for a web stream its phenomenal. But I bet we could make a pepsi challenge between film and processed Red that would be hard to beat.

IBloom

 

[Finner]

But I bet we could make a pepsi challenge between film and processed Red that would be hard to beat.

IBloom

For SD TV broadcast you can already do that with a good HD camera and good lighting skills. The real test will come with an HD finish or better yet the big screen. At least red has the best chance of claiming that prize right now.