Gregor Hagey
Well-known member
I just wanted to post some initial thoughts on the Red Pro Primes. I had a chance to look at them on July 3 and 7 and shoot a few quick tests. Morning Glory kindly provided the full range of RPPs.
The first thing I noticed is that they are big. Really big and heavy. For anyone that uses a 1030HDS or Video 20 these lenses with regular accessories will overload an already maxed out tripod.
I compared the RPPs to a MP, Zeiss Standard MKII and an S4 on two different lens projectors in Toronto and it's surprising how great they look. Both the RPP and MP are very neutral, can resolve up to 200 lpm, have great coverage and very little chromatic aberration. The Zeiss Standards by comparison were definitely softer and had more CA. The S4 looked great overall, but had a warm cast (which is not necessarily a bad thing). The RPP had marginally more pincushioning then the MP, but it was more then acceptable. Stephen Reizes csc helped set up the first test and was was quite happy with what he saw. He did remark that the 300mm RPP is very, very similar to his Tamron 300mm.
Jack Mosor helped set up the second test where 1st AC Joe Chan checked all the focus marks against tape and they were all bang on and didn't need to be shimmed (which was good because they didn't come with shims).
I performed a very simple Bokeh test with 2 mag lights and I thought the RPP was quite nice and compared quite well with the MP and was better then the S4s less then circular iris shape (once again this could be a creative choice to have a more artificial looking Bokeh).
The MP did clearly perform better with flaring. I would shoot more tests with the RPP if my project involved a lot of flaring of the lens with lights to make sure the effect is what I wanted.
The RPPs did not get the best results on either of the Zeiss MTF machines I looked at them on and I'm not too sure if it's because of a real issue with the lenses or because the MTF machine wasn't designed with RPP in mind.
From what I saw I'd be happy to take these out for the right project, either film or digital. I don't see these as a compromise, just another choice.
More pictures to come.
The first thing I noticed is that they are big. Really big and heavy. For anyone that uses a 1030HDS or Video 20 these lenses with regular accessories will overload an already maxed out tripod.
I compared the RPPs to a MP, Zeiss Standard MKII and an S4 on two different lens projectors in Toronto and it's surprising how great they look. Both the RPP and MP are very neutral, can resolve up to 200 lpm, have great coverage and very little chromatic aberration. The Zeiss Standards by comparison were definitely softer and had more CA. The S4 looked great overall, but had a warm cast (which is not necessarily a bad thing). The RPP had marginally more pincushioning then the MP, but it was more then acceptable. Stephen Reizes csc helped set up the first test and was was quite happy with what he saw. He did remark that the 300mm RPP is very, very similar to his Tamron 300mm.
Jack Mosor helped set up the second test where 1st AC Joe Chan checked all the focus marks against tape and they were all bang on and didn't need to be shimmed (which was good because they didn't come with shims).
I performed a very simple Bokeh test with 2 mag lights and I thought the RPP was quite nice and compared quite well with the MP and was better then the S4s less then circular iris shape (once again this could be a creative choice to have a more artificial looking Bokeh).
The MP did clearly perform better with flaring. I would shoot more tests with the RPP if my project involved a lot of flaring of the lens with lights to make sure the effect is what I wanted.
The RPPs did not get the best results on either of the Zeiss MTF machines I looked at them on and I'm not too sure if it's because of a real issue with the lenses or because the MTF machine wasn't designed with RPP in mind.
From what I saw I'd be happy to take these out for the right project, either film or digital. I don't see these as a compromise, just another choice.
More pictures to come.
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