Sean M Puckett
Member
- Joined
- Nov 5, 2008
- Messages
- 10
- Reaction score
- 0
- Points
- 0
- Location
- Kitchener, Ontario
- Website
- seanmpuckett.com
I originally posted this in the Cinematography forum, but I think this will be the best place for the discussion. Apologies to those who have already seen this post.
---
Hi, folks. I'm the author of some very well received plug-ins for the professional still photography RAW tool "Bibble." You can see my offering here:
Nexi.com: http://nexi.com/bibplugs
The tools include film simulation to toning/tinting, various transformations and some quite advanced grading tools. These tools have been very well received in the market and are used by hundreds of pro photogs to create their signature looks.
I'm in the process of bringing my stuff to video/cinema via Final Cut plug-ins and while I've been using typical HD and SD footage for testing so far and getting excellent results, I know the real test of my work will come from people using RED. It's obvious once you think about it. Since my tools were written for high res, high dynamic range data from the DSLR world, RED is a natural fit.
Which brings me to the subject of this post.
First, I need raw RED footage for in-house testing and proofing. B-roll or off-cuts are fine, I don't care what the content is. Of course I'll respect your copyright. I need a variety of subjects including high DR landscapes, soft lighted interiors and everything in between (list below). Of course, it must be ungraded and preferably right off the camera -- as long as I can get it into Final Cut.
Second, once the tools get to Beta quality, I'll need testers. We can talk about that later on once I get closer to that stage. I'm very excited about getting these tools into the motion space and am eager to work with folks to make it happen.
Here's YT video demo of a pre-alpha FxAndy (the motion version of the film simulator Andy) showing simulation of a few different film stocks and some various effects including filtering, underexpose + push print, and an exposure ramp, here:
YouTube: http://www.youtube.com/watch?v=6czH9AOcdec
Here's the FxAndy interface, as set up for the exposure ramp clip:
Source footage 720p from a Canon DSLR, fairly high DR scene.
Anyway, I'd be happy to take questions about this project here; I've been loitering around the RED forums for a few months. You can also send private commentary to my email address at seanmpuckett@gmail.com
I've got a list of scenes I'd like to test with:
a) high dynamic range landscape (sunset + silhouettes with some fill
light), as few highlight blowouts as possible
b) hdr landscape, generic (midday, shadows, mountains, trees, etc),
again, few blowouts
c) automotive or other reflective product in cyclorama, no specular
reflection blowouts
d) architectural beauty shot, e.g. bridge, building, etc.
e) daylit fast & vibrant action, e.g. carnival, rodeo, or race track
f) high key glamour
g) low key portrait/interview
h) dramatic side lit night action e.g. action sequence with klieg
i) moderate contrast street shot, e.g. market, indirect daylight
j) standard interior lighting; dialogue, poss. restaurant or similar
k) subdued interior lighting; "bedtime story" type
l) minimal interior lighting e.g. romantic, candle, firelit
m) golden hour exterior, mixed colour temps
Not a small list, or a complete one, but I think I've got most of what's needed to prove the concept.
If you'd like to help, I can do whatever online transfer you like, or you can burn a DVD with the files on it and send it to the following address:
Sean M Puckett
141 Whitney Place, Studio 13
Kitchener, ON N2G 1X9
Canada
Thanks for your thoughtful consideration.
---
Hi, folks. I'm the author of some very well received plug-ins for the professional still photography RAW tool "Bibble." You can see my offering here:
Nexi.com: http://nexi.com/bibplugs
The tools include film simulation to toning/tinting, various transformations and some quite advanced grading tools. These tools have been very well received in the market and are used by hundreds of pro photogs to create their signature looks.
I'm in the process of bringing my stuff to video/cinema via Final Cut plug-ins and while I've been using typical HD and SD footage for testing so far and getting excellent results, I know the real test of my work will come from people using RED. It's obvious once you think about it. Since my tools were written for high res, high dynamic range data from the DSLR world, RED is a natural fit.
Which brings me to the subject of this post.
First, I need raw RED footage for in-house testing and proofing. B-roll or off-cuts are fine, I don't care what the content is. Of course I'll respect your copyright. I need a variety of subjects including high DR landscapes, soft lighted interiors and everything in between (list below). Of course, it must be ungraded and preferably right off the camera -- as long as I can get it into Final Cut.
Second, once the tools get to Beta quality, I'll need testers. We can talk about that later on once I get closer to that stage. I'm very excited about getting these tools into the motion space and am eager to work with folks to make it happen.
Here's YT video demo of a pre-alpha FxAndy (the motion version of the film simulator Andy) showing simulation of a few different film stocks and some various effects including filtering, underexpose + push print, and an exposure ramp, here:
YouTube: http://www.youtube.com/watch?v=6czH9AOcdec
Here's the FxAndy interface, as set up for the exposure ramp clip:
Source footage 720p from a Canon DSLR, fairly high DR scene.
Anyway, I'd be happy to take questions about this project here; I've been loitering around the RED forums for a few months. You can also send private commentary to my email address at seanmpuckett@gmail.com
I've got a list of scenes I'd like to test with:
a) high dynamic range landscape (sunset + silhouettes with some fill
light), as few highlight blowouts as possible
b) hdr landscape, generic (midday, shadows, mountains, trees, etc),
again, few blowouts
c) automotive or other reflective product in cyclorama, no specular
reflection blowouts
d) architectural beauty shot, e.g. bridge, building, etc.
e) daylit fast & vibrant action, e.g. carnival, rodeo, or race track
f) high key glamour
g) low key portrait/interview
h) dramatic side lit night action e.g. action sequence with klieg
i) moderate contrast street shot, e.g. market, indirect daylight
j) standard interior lighting; dialogue, poss. restaurant or similar
k) subdued interior lighting; "bedtime story" type
l) minimal interior lighting e.g. romantic, candle, firelit
m) golden hour exterior, mixed colour temps
Not a small list, or a complete one, but I think I've got most of what's needed to prove the concept.
If you'd like to help, I can do whatever online transfer you like, or you can burn a DVD with the files on it and send it to the following address:
Sean M Puckett
141 Whitney Place, Studio 13
Kitchener, ON N2G 1X9
Canada
Thanks for your thoughtful consideration.
