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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Film Making Masterclass with Final Cut Pro X

HOW TO GET VIDEO REVISIONS DONE FASTER: Two Final Cut Pro X editing tricks to finish videos faster




By Andy Fogarty



 
MBS 470: Teal & Orange Looks using Curves



I personally hate the Teal/ Orange look, I wish it died a slow horrible death, but since it's done this time by Ripple Training I decided to post the tut.



By Ripple Training



 
ColorFinale 2, the plugin for Final Cut Pro X that turns Apple's NLE in a colour grading station




By
Agile Creator



 
5 Useful Final Cut FCPX workflow tips+ hacks (including how to make adjustment layers)



By OUT OF TOWNSEND



 
How to Convert Blackmagic RAW into ProRes for FCPX



By Chadwin Smith



 
Using HSL Color Masks in Final Cut Pro Post-Update 10.4.8




By Shot by Myles



 
MBS 473: ADR in Fairlight




by Ripple Training



 
RippleLIVE Episode 21



By Ripple Training


 
mHUD 3 - FCPX Plugin Powered by Mocha - MotionVFX


By motionvfx






Quick tutorial showing basics of mHUD 3 plugin for Final Cut Pro X - MotionVFX


By motionvfx




By
 
How to Delete Render Files in Final Cut Pro X




By Joshua Winkens



 
mac pro editing vs other



by
Max Yuryev





This Video's Content

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Steve Sherrick said:
You can always get a monitor that supports 3D LUTs and build one that works well to help you achieve a look on set that translates well in post for you. I have two on camera monitors that work really well in this regard and don't break the bank at all. The Portkeys BM7 and the Portkeys BM5 which I just got and so far is a dream to work with. That one costs $499. Very bright for outdoor use and good color and plenty sharp. All kinds of scopes and other tools. So, for these older RED cameras, that's one way to address this.
Click to expand...

Hi Steve I've decided to take your advice - finally! Since you have both, which one would you recommend, the Portkeys BM7 or BM5? My biggest problem is focusing out in the wild either in bright sunlight or snow. Is it worth paying more for the BM7 or is the BM5 good enough in your experience? Many thanks for your advice!
 
MBS 476: Quad Split Multicam Editing in FCP X


By Ripple Training




MBS 473: ADR in Fairlight



By Ripple Training


 
LumaFusion 2.2 - New Features - Final Cut Pro XML Export


By Lee Zavitz


 
Dipanka Sarma said:
Hi Steve I've decided to take your advice - finally! Since you have both, which one would you recommend, the Portkeys BM7 or BM5? My biggest problem is focusing out in the wild either in bright sunlight or snow. Is it worth paying more for the BM7 or is the BM5 good enough in your experience? Many thanks for your advice!
Click to expand...

If you like smaller rigs the BM5 II is the way to go. Sharp,bright,lots of built in tools. Just make sure you are buying legit product. If you go through Amazon make sure it's being sold direct by Portkeys.
 
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