Michael Horton
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- Mar 25, 2007
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Sam Mestman from Lumaforge will be demoing the extensive 4k RED workflow capabilities Final Cut Pro X has to offer and explain why it's now just as easy to deliver in 4k as it is in 1080. He'll also be showing how FCPX can simplify as well as expand the traditional roles of the DIT, Assistant Editor, Editor, and colorist in an FCPX-Resolve pipeline to allow them to spend more time on the creative process, and less time on conforming/troubleshooting/banging your head against the wall. He'll take you from best practices for importing and grading your RED footage, to how to work with your metadata to speed up project prep, to taking advantage of some of FCPX's power features like the timeline index, all the way down to how FCPX integrates with Resolve for seamless delivery, regardless of resolution. FCPX has undergone an astonishing amount of development since it was first released, and is now a compelling option for professional DIT's, editors, and colorists, regardless of your workflow or deliverable.
Register if you want to attend
http://www.lafcpug.org/user_schedule.html
Register if you want to attend
http://www.lafcpug.org/user_schedule.html