Sam Goldwater
Well-known member
On a side note, when we do this for ProRes immediate clients, we roll in REDLog Film. Then the unit behaves like an ALEXA's Log-C.
For me that'd be the only way to use it. I'd need a Scarlet to handle long shoot days all hand held in unpredictable environments, sending log DNxHD to a hyperdeck should look at least as good as BMCC's non-raw output, but in S35 and without the ergonomic limitations of the inexplicably 'toy' physical and UI choices of the BMCC.