Export Setting : Going To Pro-res 422

[Johnny Friday]

can anyone confirm your export settings in REDCINE if exporting to pro-res 422?

I have gotten many of the same gargled footage and seems that based on my settings I can get better results. I'm looking for the optimum results at the moment without the 20 to 1 export ratio while converting my R3D files to pro-res 422

For the moment my settings in REDCINE are:
Process: Standard
Format: Quicktime
Pro-res 422 HQ
Format: HD 1080p
Quality: maxium
Filter: linear OR sinc

.....This seems to be the settings that work for me and i don't get 20 to 1 processing times.

Anyone have same results and using this same setup for going to prores 422?
Would be interested in finding the OPTIMUM settings for transcoding to proress 422.

Thanks for any help or your suggestions.

 

[Johnny Friday]

Anyone? I know it's Sunday....hopefully someone has an easy standard setup for going to Prores 422.
Thanks

 

[Johnny Friday]

Hoping for some insight...anybody?

 

[Johnny Friday]

dudes?? ayudame please!

 

[Noah Kadner]

Hey relax brother- wait until Monday. Some folks have lives...

 

[Johnny Friday]

yeah, guess i forgot that it's sunday and everyone's doing the long weekend thing.
....hanging on

 

[Uli Plank]

Ola amigo,

the visible difference between ProRes HQ and ProRes standard is so small that it's negligible if your final result is HDTV. I'd use HQ only for film-out or very delicate work in post. You can use the same settings.

Saludos cordiales.

 

[Nicholas Shields]

We're getting similar render times for the same codec. I heard it said by a Red rep somewhere in this forum that they were going to try to make the code more efficient - obviously not yet. By the way, if you plan on doing further color correction, use the HQ - far more information in the file. I hope this helps.

Nick.

 

[Vigen Vartanov]

Don not use ProRES .