Sterling Wescott
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A Monstro upgrade will be available for the RED ONE
Jim
I love you guys.
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A Monstro upgrade will be available for the RED ONE
Jim
A Monstro upgrade will be available for the RED ONE (future)... and yes, if you do Stage 2, you have used your one time trade-in opportunity.
Jim
So if a Monstro upgrade for the R1 was made available, choosing Stage 2 would disqualify your R1 from that upgrade, since it's now marked as executed?
A Monstro upgrade will be available for the RED ONE (future)... and yes, if you do Stage 2, you have used your one time trade-in opportunity.
Jim
"Monstro upgrade" sounds good.![]()
I think you're confused. You don't need to qualify for a Red one sensor upgrade, you just pay for it!
Yeah, I think I am confused. I didn't know the Monstro could go in the R1. I would have also thought it was just a straight sensor upgrade cost, no pre-qualifications necessary.
Sorry for the confusion.
Yes, sort of and no...
Burst mode doesn't help... data rate is data rate. You can shoot a higher frame rate to CF card if REDCODE is adjusted. Full specs in the near future.
Jim
Jim-
Forgive me, the stages upgrade paths are hard to keep track of. Would the Monstro chip upgrade be more of an upgrade like the MX was, where it wasn't considered executed, more of a flat upgrade cost?
If not, and the R1 is executed, is there any way for those R1 owners to upgrade to future sensors? Seems like it would devalue the R1's if its completely ineligible for any kind of upgrades.
Thanks.
The only time you will get a credit in trade is RED ONE to EPIC (now or Monstro).
Jim
Although I am all for the Monsto sized sensor, I'm somewhat confused as to what sort of usable aspect ratio you can get from the Monstro for theatrical or television productions. I can certainly understand how Monstro sensor sized would be beneficial if you're shooting with anamorphic lenses but will traditional anamorphic lenses even cover a full-frame Monstro sensor? Otherwise, what sort of realistic aspect ratios can you work with? Once you crop the frame to a 16:9 or 1.85, what are you really gaining over the Epic-X?
A Monstro upgrade will be available for the RED ONE (future)... and yes, if you do Stage 2, you have used your one time trade-in opportunity.
Jim
Although I am all for the Monsto sized sensor, I'm somewhat confused as to what sort of usable aspect ratio you can get from the Monstro for theatrical or television productions. I can certainly understand how Monstro sensor sized would be beneficial if you're shooting with anamorphic lenses but will traditional anamorphic lenses even cover a full-frame Monstro sensor? Otherwise, what sort of realistic aspect ratios can you work with? Once you crop the frame to a 16:9 or 1.85, what are you really gaining over the Epic-X?
Monstro vs M-X are just designations for different sensor designs/tech, either could be made whatever size Red wanted (within reason). Monstro is already planned to appear in FF35, 6x4.5, and 6x17 formats.
I'm just trying to make a more informed decision if I want to go ahead and get the Epic MX or get the MX for my R1 and wait to trade-in for the monstro. If it's too far away, then maybe I'll trade up for the Epic because I love the modular, lightweight design. I can finally put away my canon still camera and have everything in one package.
(By the way, is there an Epic Mysterium X FF35?)
I'm good with 13.5 stops and the low light as it is. But considering Jim's track record, I can imagine monstro is going to be MONSTRO in its abilities. R1, MX, and Epic continues to get better and better.