Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Epic MX matching Arri; A Joker Parody

Karim D. Ghantous said:
I have to admit that this video didn't seem to say anything to me. Nothing against the girl, she seems cool, but the video seemed... pointless?
Click to expand...

Hi Karim, Thanks for watching :D First you need to watch the original Joker final trailer and then it might make sense. We used the same movement but changed the words and made it less violent (ie bubble gum) but I'm more interested in your thoughts on the color. Cheers!
 
Lassiter Holmes said:
Hi Karim, Thanks for watching :D First you need to watch the original Joker final trailer and then it might make sense. We used the same movement but changed the words and made it less violent (ie bubble gum) but I'm more interested in your thoughts on the color. Cheers!
Click to expand...

Okay. :-) I did watch the trailer BTW. I just can't wait to see the film! Judging by audience reactions, it's the best studio film of the year. If not the decade. But we will see.

First of all, a few things. RED sensors, from the Dragon onwards, deliver great RAW footage straight out of the camera. I can accept the arguement that the default colour of the ARRI sensors is more pleasant, but that's because it has a built-in LUT for ProRes files. And that's a good thing, too.

But, seeing as every film has a LUT applied to it, there is no meaning behind any of that. ALEV-III will have more DR than MX, but as far as captured colour goes, there is no difference. One could argue that MX actually has more colour information, and I'd have to defer to others on that.

At the end of the day, both sensors can be matched perfectly, and this is evident in this case. And it's not the Alexa that RED wants to be like. It's film, and then some.
 
Karim D. Ghantous said:
Okay. :-) I did watch the trailer BTW. I just can't wait to see the film! Judging by audience reactions, it's the best studio film of the year. If not the decade. But we will see.

First of all, a few things. RED sensors, from the Dragon onwards, deliver great RAW footage straight out of the camera. I can accept the arguement that the default colour of the ARRI sensors is more pleasant, but that's because it has a built-in LUT for ProRes files. And that's a good thing, too.

But, seeing as every film has a LUT applied to it, there is no meaning behind any of that. ALEV-III will have more DR than MX, but as far as captured colour goes, there is no difference. One could argue that MX actually has more colour information, and I'd have to defer to others on that.

At the end of the day, both sensors can be matched perfectly, and this is evident in this case. And it's not the Alexa that RED wants to be like. It's film, and then some.
Click to expand...

:D Yes! Ty!
 
You must log in or register to reply here.
Back
Top