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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Digital Cinema meet up in Downtown Fort Lauderdale

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Shot on Epic camera with 50mm RED Pro Prime at T1.8, 4K HD, 1/48th shutter, iso 800 and 24fps. Subject lit by one candle at a foot distance. Click on image for 4K version.



Shot on Epic camera with 50mm RED Pro Prime at T1.8, 4K HD, 1/48th shutter, iso 800 and 24fps. Subject lit by two candles at a foot distance. Click on image for 4K version.



Shot on Epic camera with 50mm RED Pro Prime at T1.8, 4K HD, 1/48th shutter, iso 800 and 24fps. Subject lit by two candles & one oil lamp at a foot distance. Click on image for 4K version.



Shot on Epic camera with 50mm RED Pro Prime at T1.8, 4K HD, 1/48th shutter, iso 800 and 24fps. Subject lit by one oil lamp at a foot distance. Click on image for 4K version.



Shot on Epic camera with 50mm RED Pro Prime at T1.8, 4K HD, 1/48th shutter, iso 800 and 24fps. Subject lit by two candles at a foot distance. Click on image for 4K version.




Shot on Epic camera with 50mm RED Pro Prime at T1.8, 4K HD, 1/48th shutter, iso 800 and 24fps. Subject lit by two candles & one oil lamp at a foot distance. Click on image for 4K version.



Epic low light testing with 50mm RED Pro Prime.
 
Yeah I missed you and Cedric at this one. Wait till you see the slow motion stuff shot at 300fps with smoke bombs, fireworks, sparklers, dry ice, etc. Today I'll also add frame grabs of the low light test on the RED One Mysterium camera.
 
Still lenses vs Cinema lenses... what's the big deal??? Tomorrow from 3PM to 7PM at our monthly Digital Cinema meetup we'll be pitting Canon L primes vs RED Pro Primes vs Zeiss Super Speeds. http://www.meetup.com/Digital-Cinema/ If you've got lenses bring them. We already got the RED Pro Primes and Zeiss Super Speeds... bring your best Canon glass.
 
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