Stuart Gosling
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yes I agree.
However, could there be a compromise? A sort of "off-line" DCP? Most of the work could be done in a low cost but powerful program like "color" with as much monitor calibration as possible and then rendered out and passed on to DI company to finish it to the high standards you rightly mentioned. Would there be savings to be had? would it buy more creative time?
Also, is the Pro Res 422 acceptable for mastering to a DI?
However, could there be a compromise? A sort of "off-line" DCP? Most of the work could be done in a low cost but powerful program like "color" with as much monitor calibration as possible and then rendered out and passed on to DI company to finish it to the high standards you rightly mentioned. Would there be savings to be had? would it buy more creative time?
Also, is the Pro Res 422 acceptable for mastering to a DI?