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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

D-20 v. Red Filmout Test


Yep, that's the one!

If we're not putting graphics over footage, we'll often never see the footage at anything beyond standard-def resolution until the trailer is approved and goes through the finishing process.

Kinda funny how there are still people on Reduser who think they have to get FCP with a big RAID or something so they can "edit their feature in 4K" isn't it ;)

That trailer was cut on a G4 running OS9, with an Avid Media Composer that's probably 3 versions out of date. It can't do HD or 999 tracks of audio or all those other "features" they advertise on the box of NLEs today, but hey, its trim tool is responsive and it works well in a team connected to an Avid Unity.

Sorry, I have gone totally OT. Will shut up now.

Bruce Allen
www.boacinema.com
 
That trailer was cut on a G4 running OS9, with an Avid Media Composer that's probably 3 versions out of date. It can't do HD or 999 tracks of audio or all those other "features" they advertise on the box of NLEs today, but hey, its trim tool is responsive and it works well in a team connected to an Avid Unity.

Sorry, I have gone totally OT. Will shut up now.

Bruce Allen
www.boacinema.com

Bruce,
no need to shut up - it's not the camera nor the editing system that tells the story ;-)

regards,
martin
 
furthermore you dont work daily with the best stuff. you are an tv editor which, due to the lacks of funding and quality assurance in the german educational system is allowed to teach.
great one jan.. :) (almost felt from the chair) great one.. :) :)

edit
it reminds me the best cinematography.com times.. whether stephen does like.. whether not.. jan in his best..
 
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