Yeah one of the DP's I've been working with is pushing me to get the 100 because he says it's easier to do macro work since you don't need to be as close as the 60. But he loves isolation and completely obliterating backgrounds into a blur and I find myself consistently leaning away from that.
My gut is saying I'd liked that 60 more. It's a fantastic focal length for a medium close up when you want to maintain a good sense of the background but want something tighter than a 50, a place I often find myself when an 85 just feels too long.
Plus that 60 is basically half the price of the 100.
My gut is saying I'd liked that 60 more. It's a fantastic focal length for a medium close up when you want to maintain a good sense of the background but want something tighter than a 50, a place I often find myself when an 85 just feels too long.
Plus that 60 is basically half the price of the 100.