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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

CINETAL CINEMAGE PRO MONITOR____24"

A

Adam Spafford

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$4000 SHIPPED CONUS! INTERNATIONAL SHIPPING AVAILABLE.


Not sure which software this has installed, but you can contact me and let me know how to check, ill do it. Was used by CNN news studio before I got it.

Will post pics later.CALL, TEXT, or EMAIL. 512.eight20.3654

CINETAL CINEMAGE MONITOR Are you using an industrial monitor for broadcast color grading? No matter how good those inexpensive Panasonic plasmas look, they're not approved by any major network as a reference tool. If you're doing pro work, here's your chance to pick up a Cine-tal Cinemage at a LOW PRICE. It was lightly used in a high-end color grading suite...never taken on location. This monitor was 15K when new and is the perfect complement to any post suite or stage application where color accuracy is critical. Local pickup preferred. Can arrange shipping, which will be quoted based on buyer's location. FEATURES: * 24 inch display * High performance, precision 2K, HD & SD monitoring * 10 or 12 bits SDI, HDSDI, Dual Link & DVI-D inputs / outputs * YCbCr, RGB and XYZ colorspace support * Wide Gamut – consumer television emulation mode * Superior black level performance * Gigabit network connectivity.
 
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To find out exactly what software upgrades your particular Cinemage is updated with all you need if the 2000-series number code found at the bottom left of the display after it is powered on. The Cine-tal Cinemage line was acquired by iKan corp a year or so ago so you'll need to contact iKan with this display's serial # and the 2000-series code. They should have a data base of every Cinemage manufactured and sold with its corresponding software upgrades. Barry Garcia at iKan has been a great help with the Cine-tals for me in the past.

Good luck with the sale.
 
Small correction:

No matter how good those inexpensive Panasonic plasmas look, they're not approved by any major network as a reference tool.
Click to expand...

Actually, the broadcast-series Panasonic Plasmas are used for network and cable show color-correction and editing all over LA. I know for a fact they're used at Fotokem, Technicolor, Modern Videofilm, Company 3, and Encore (to name a few). The advantage of a 50" plasma is being able to handle a room-full of clients, which often does happen in episodic TV and commercials. Networks don't approve them. I've never once had a client even ask what the monitor was.

I don't dispute that there are better monitors out there, particularly the Dolby LCD panel (which is significantly more expensive, by a factor of 10).
 
Marc Wielage said:
Small correction:



Actually, the broadcast-series Panasonic Plasmas are used for network and cable show color-correction and editing all over LA. I know for a fact they're used at Fotokem, Technicolor, Modern Videofilm, Company 3, and Encore (to name a few). The advantage of a 50" plasma is being able to handle a room-full of clients, which often does happen in episodic TV and commercials. Networks don't approve them. I've never once had a client even ask what the monitor was.

I don't dispute that there are better monitors out there, particularly the Dolby LCD panel (which is significantly more expensive, by a factor of 10).
Click to expand...


The larger Plasmas are good and used extensively but they require proper calibration and in-line LUT boxes (like the Cine-tal Davio). The Cinemage runs an internal CineSpace calibration that can be kept in check with a simple external probe. Not to mention that the Panny Plasmas and the Dolby you mention are both twice the size of these 24" Cine-tals. I don't think the 30" - 17" Panasonic LCDs can be considered "reference grade". They're not even close.
 
I have had these fully tested, are in complete 100% perfect working condition!
 
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