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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Cinegear announcements?

The Zeiss Reel referenced in the video above.



ZEISS Supreme Prime Lenses - Reel II


By ZEISS Cinematography


Shot on ZEISS Supreme Prime lenses
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T 1.5.

CREDITS:

THE ALL NEW BUDWEISER MAGNUM
Director ANUJ SAMTANI
Cinematographer DEVANG SINGH THUKRAL
Shot on ZEISS SUPREME PRIME
RED MONSTRO 8K VV

MAESTRO DOBEL EDICIÓN VUHL
Director JAN MARKOWSKI
Cinematographer LUIS ENRIQUE CARRIÓN, AMC
Shot on ZEISS SUPREME PRIME
SONY VENICE

FEED WHAT MOVES YOU
Director JUSTIN REID TVEDT, FELIX J. PIÑEIRO
Cinematographer JOREL O’DELL
Shot on ZEISS SUPREME PRIME
ARRI ALEXA MINI

YOU OWN THE TRUTH
Director JAMES BENETT
Cinematographer BALAZS BOLYGO, BSC, HSC
Shot on ZEISS SUPREME PRIME
SONY VENICE

SHADOW
Director SIMON SMYTH
Cinematographer BALAZS BOLYGO, BSC, HSC
Shot on ZEISS SUPREME PRIME
SONY VENICE

CREATE YOUR ART WITH CUTTING-EDGE SCIENCE
Director CHRISTOPHER MOSSELMAN
Cinematographer SEBASTIAN TISCHLER
Shot on ZEISS SUPREME PRIME
RED EPIC

STAY IN YOUR FLOW: ERIC VELOSO
Director FLORIAN MEIMBERG
Cinematographer CEDRIC SCHANZE
Shot on ZEISS SUPREME PRIME
ARRI ALEXA MINI

EL VIAJE
Director SERGUEI SALDÍVAR, AMC
Cinematographer SERGUEI SALDÍVAR, AMC
Shot on ZEISS SUPREME PRIME
RED MONSTRO 8K VV

PASSING
Director AISHA SCHLIESSLER
Cinematographer JON JOFFIN, ASC
Shot on ZEISS SUPREME PRIME
SONY VENICE
RED MONSTRO 8K VV
PHANTOM 4K

HOMETOWN DÉJÀ VU
Director PETER PAU
Cinematographer PETER PAU
Shot on ZEISS SUPREME PRIME
RED MONSTRO 8K VV

IRAGA IRAGA
Director RAJEEV RAVI
Cinematographer RAJEEV RAVI
Music Directors VISHAL – SHEKAR
Shot on ZEISS SUPREME PRIME
SONY F65

NATIONAL GEOGRAPHIC EXPLORERS
Director HELEN MORGAN-GEARY
Cinematographer FERNANDO CAAMAÑO
Shot on ZEISS SUPREME PRIME
RED MONSTRO 8K VV

RELIQUIAE
Director JOHN MARCHANT
Cinematographer JOHN MARCHANT
Shot on ZEISS SUPREME PRIME
RED MONSTRO 8K VV

THE COMMANDER
Director PETR JÁKL
Cinematographer MARK BLISS
Shot on ZEISS SUPREME PRIME
RED MONSTRO 8K VV
SONY VENICE

TIES
Director LAURA STABILINI
Cinematographer PAUL CAMERON, ASC
Shot on ZEISS SUPREME PRIME
SONY VENICE

TSUNAGERU
Director AKIRA SAKO
Cinematographer AKIRA SAKO, JSC
Shot on ZEISS SUPREME PRIME
SONY VENICE

WEEKEND DADS
Director JEANNIE ROSHAR
Cinematographer LAURA MERIANS
Shot on ZEISS SUPREME PRIME
ARRI ALEXA LF

CHANCES
Director RENE ELIZONDO, A.J. MCLEAN
Cinematographer TAYLOR JAMES RANDALL
Shot on ZEISS SUPREME PRIME

zeiss.com/cine
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Cine Gear Expo 2019: Sony Announces Firmware Update And New Production Center At Special Event


By HD Video Pro Magazine



Neal Manowitz, deputy president for Imaging Product and Solutions Americas at Sony Electronics, announces that Sony will expand capabilities of its Venice full-frame cinema camera with future firmware updates. He also unveils a new facility as resource for cinematographers and content creators.


Sony Venice Version 5.0

https://www.newsshooter.com/2019/05...rmware-90fps-at-6k-2-391-and-72fps-at-6k-179/


The new Version 5.0 firmware update is planned to be released in January 2020.

20190605-084020.jpg


20190605-084041.jpg
 
Last edited:
Wooden Camera Power Strip for Sony Venice Rialto - First Look



By Newsshooter



A first look at Wooden Camera's Power Strip for the Sony Venice Rialto
 
Free Your Set from Flags & Frames with The Lightbridge Cine Reflect Lighting System


By No Film School


First developed by Academy Award® winning Austrian DP Christian Berger (The White Ribbon, Caché, The Piano Teacher) as a way to achieve a natural key light and control soft light without flags and stands, the Cine Reflect Lighting System has had a long journey since its debut earlier last year.

Read the full article on No Film School | https://bit.ly/2K1X3hJ
Check out all of our CineGear 2019 coverage | https://bit.ly/2WgYrDP
 
What Would You Steal from CineGear 2019?



By No Film School


There are so many expensive, shiny things at this year's CineGear. What ones are making your fingers feel particularly sticky?

Read the full article on No Film School | https://bit.ly/2wD7H5Q
 
Utilizing an Original Russian Arm Might be More Affordable Than You Think


By No Film School


If you've ever wanted to shoot a "Fast and Furious" style action sequence with a Russian Arm but thought it'd be too expensive, then you might be pleasantly surprised.

Read the full article on No Film School | https://bit.ly/2WiOn8u
Check out all of our CineGear 2019 coverage | https://bit.ly/2WgYrDP
 
Rotolight AEOS Bi-Color Portable LED Light



By Personal View



Interview with founder of Rotolight - Rod Gammons, about their recent offering - AEOS light. It has adjustable color temperature that is possible due to usage of two different color temperature leds. Also it has nice sturdy construction, integrated battery V-Mount, DC input. One of big advantages is that light being tailored to photographers and ability to work in high sync flash mode. Plus AEOS light also has different special effects.


Make sure to write down MC codes to win Andycine monitor - https://www.personal-view.com/talks/d...
 
The ErgoRig Handheld Support System Shows off Prototype Underslung Mode


By No Film School


The ErgoRig takes 100% of a camera's weight off of your shoulder while still facilitating a handheld aesthetic. Founder Jesse Feldman shows us a prototype for an underslung attachment for the system.

Read the full article on No Film School | https://bit.ly/2Ij2BkO
Check out all of our CineGear 2019 coverage | https://bit.ly/2WgYrDP
 
Panasonic Varicam LT Interview with Mitch Gross



By Newsshooter



Mitch Gross from Panasonic talks to us about this latest Panasonic Varicam LT announcement​
 
TVLogic F-7H mk2 High Brightness On-Camera Monitor



By Personal View



Interview with Jin Lee from TVLogic about their latest offering in on-camera monitors niche - TVLogic F-7H mk2 . It is high brightness monitor with very unusual selection of panel, as it is matte one. As you can see on brigh outdoor sun matte panel always look worse for same brightness compared to glossy one due to blacks being much worse, yet for glossy you always need to find proper spots and here it is not necessary.

Make sure to write down MC codes to win Andycine monitor - https://www.personal-view.com/talks/d...
 
Action 18" Rugged High Brightness Monitor



By Personal View


Interview with Alfie Ma who is General Manager at Action about their most popular offering. Monitor is designed for both indoor and outdoor usage, with 1200nit max brightness, has lot of advanched features, very minimalistic and rugged design with silicon bumpers. Two SDI inputs, one output, as well as HDMI and USB connectors. Monitor has special cold shoe mounts for arms and wireless transmitters.
 
Kinefinity Terra 4K New Features



By Personal View


INterview with Jihua Zheng, Kinefinity CEO, about new features they added via 6.2 firmware update to their most popular camera - Kinefinity Terra 4K. Mostly they improved framerates rising them to 125fps at 4K and 320fps at FullHD. They also added status panel and fixed lot of past issues.
 
Cinefade VariND System - Hands On Demo




By Cinema5D



It's been a few years of development but the Cinefade VariND recently started shipping and we had a chance for a hands on demonstration and to see how the system has progressed.
 
Birth of a Camera: FUJIFILM GFX 100 – Part 1



By Cinema5D



For the last 8 months FUJIFILM was kind enough to let us closely monitor the birth of their new flagship large format sensor creation, the GFX 100.
 
rand thompson said:
The ErgoRig Handheld Support System Shows off Prototype Underslung Mode


By No Film School


The ErgoRig takes 100% of a camera's weight off of your shoulder while still facilitating a handheld aesthetic. Founder Jesse Feldman shows us a prototype for an underslung attachment for the system.

Read the full article on No Film School | https://bit.ly/2Ij2BkO
Check out all of our CineGear 2019 coverage | https://bit.ly/2WgYrDP
Click to expand...

I'm working on something with them...hoping it's soon! ;-)
 
Thanks Chris for letting us know, please keep us up to date!
 
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