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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Cannes CHE screenings shot on RED

Sanjin Jukic

Sanjin Jukic

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Cannes Film Festival 2008

Screening Guide

COMPÉTITION
GRAND THÉÂTRE LUMIÈRE

WED 21 MAY
18.30 CHE 4h28
de Steven Soderbergh

THU 22 MAY
DAY AFTER SCREENINGS
13.15 S CHE de Steven Soderbergh 4h28

Good luck Soderbergh and RED!
 
Very important film festival event for RED and also REDUsers including Soderbergh.

In the case of eventually a great success of CHE movie at Cannes Festival all of us REDUsers and our RED businesses will for sure benefit from that.
 
CANNES WEBCAM - LIVE FROM CROISETTE 24/7 + MORE>>>>>

What's happening on the Cannes Cam today
(all times local; red carpets kick off approximately
45 minutes before start of film):

Screening Guide
COMPÉTITION
GRAND THÉÂTRE LUMIÈRE

WED 21 MAY 18.30 Cannes time

CHE 4h28

de Steven Soderbergh

DAY AFTER SCREENINGS OR PUBLIC SCREENING
THU 22ND 13:15 SALLE DU SOIXANTIÈME

MARKET SCREENINGS
THU 22ND 09:00 STAR 2 (Part 1)
THU 22ND 11:30 STAR 2 (Part 2)

CHE 4h28

de Steven Soderbergh

Bookmark this link>>>
 
Fredrik Harreschou said:
4h28 as in 4 hours 28 min? :w00t:
Click to expand...

4h28 means 4 hours and 28 minutes is duration of the CHE movie that consists, as we knew it from before, The Argentine and The Guerrilla as a two parts.

BTW. the screening starts tomorrow WED 21 MAY 18.30 Cannes time.

Still enough time for all Red users to bookmark the link :) :) :) .
 
Duh!

Amusing quote at wikipedia, sorry if its been posted many times before: (http://en.wikipedia.org/wiki/Guerrilla_(film)#Production):

Soderbergh will shoot both films back to back over a 90-day period beginning in May 2007 with most of the dialogue in Spanish. According to an interview in Sight and Sound magazine, the first film "will be shot in 16mm anamorphic" and "The second is in Super-16, 1.85:1. No dollies, no cranes, it's all either handheld or tripods. I want it to look nice but simple. We'll work with a very small group: basically me, the producer Gregory Jacobs and the unit production manager."
Click to expand...

I guess he won't be shooting 16mm again...
 
More about a business with CHE, read this:

BUYERS WAITING FOR 'CHE'

Cannes to get first look at films on Wednesday

LINK>>>
 
CANNES RED CARPET LIVE!!!!

WED 21 MAY

18:30 (6:30 pm Cannes time)

- Premiere of Steven Soderbergh's "Che",
shot on RED,
starring Benicio Del Toro, Franka Potente and Benjamin Bratt.
Hosted online by IFC News' Matt Singer.

The story: Two films by Soderbergh, The Argentine and Guerrilla,
will screen as a single four-hour film. The first follows Che Guevara
as he arrives in Cuba from Mexico in 1956 and helps Castro unseat
the Batista regime. The second begins with his trip to New York,
where he spoke at the United Nations in 1964, followed by his
disappearance into the jungles of South America and his eventual death in Bolivia.

The cast: Benicio Del Toro plays Guevara,
leading a cast of well-known actors including Franka Potente, Julia Ormond, Benjamin Bratt,
Lou Diamond Phillips and Catalina Sandino Moreno.

The buzz: Although there is plenty of excitement about Soderbergh's Spanish-language opus,
no domestic buyer has yet taken the risk on the costly venture.
The director has been working furiously to complete the films.
He won the Palme d'Or in 1989 for his first film, sex, lies and videotape,
and was also in Competition in 1993 with King Of The Hill. The Limey (1999)
and Ocean's Thirteen (2007) played out of competition.

LINK>>>
 
Yey, I've seen the first footage ever! Just turned on the live feed and there it was! :D
 
Yeah, that was the same as me... I think we are the first ones to see it online actually... ?
 
Yep. You and me, bond forever by this circumstance.
Click to expand...

Yeah, first feature ever shot with Red One prototypes and we watched the first of it... it is a kind of revolutionary feeling when thinking of how revolutionary the camera is and is supposed to be.
 
That's because they were broadcast live online, there aren't any downloadable content of it... at least not yet.
That's why it was such a great feel to see them.
 
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