Laura Creecy
Well-known member
I need to bulk pull about 70 different still image frames @ 4K for graphic design use. I was trying to figure out a workflow to do this so I dont have to look up all the timecodes by hand and save the TIFFs that way.
The offline editor already created a stringout of the frames in a FCP sequence with the client. I was hoping to figure out a FCP>Clipfinder>REDCINE-X workflow so that they would just appear in the bin or timeline of REDCINE-X, but Clipfinder adds handles and is giving me in and out points not near the frame I need to pull.
This at least gets me closer to the still frame I want to save by conforming a short section of the appropriate clip and allowing me to check time TC of the clip in FCP vs. REDCINE-X, but it is still added time to scroll through the clip and find the exact frame.
Any suggestions to streamline the process of getting the FCP still frames to REDCINE-X to get the new 4K TIFFs?
The offline editor already created a stringout of the frames in a FCP sequence with the client. I was hoping to figure out a FCP>Clipfinder>REDCINE-X workflow so that they would just appear in the bin or timeline of REDCINE-X, but Clipfinder adds handles and is giving me in and out points not near the frame I need to pull.
This at least gets me closer to the still frame I want to save by conforming a short section of the appropriate clip and allowing me to check time TC of the clip in FCP vs. REDCINE-X, but it is still added time to scroll through the clip and find the exact frame.
Any suggestions to streamline the process of getting the FCP still frames to REDCINE-X to get the new 4K TIFFs?
